His Majesty's Well-Beloved: An Episode in the Life of Mr. Thomas Betteron as told by His Friend John HoneywoodOrczy, Emmuska Orczy, Baroness
History
His Majesty's Well-Beloved: An Episode in the Life of Mr. Thomas Betteron as told by His Friend John Honeywood
Orczy, Emmuska Orczy, Baroness
Actors -- Fiction; Betterton, Thomas, 1635?-1710 -- Fiction; Great Britain -- History -- 17th century -- Fiction
Our Neighbour, who of a truth seemed to know everything, expressed great
surprise at the fact that Old Noll—as he so unceremoniously named the
Lord Protector—had tolerated the opening of the Cockpit. "But," he
added sententiously, "Bill Davenant could wheedle a block of ice out of
the devil, if he chose."
4
Of the Play I remember but little. I was in truth much too excited to
take it all in. And sitting so near You, Mistress—for the Place was
overcrowded—my Knee touching yours, your dear little hand darting out
from time to time to grip mine convulsively during the more palpitating
moments of the Entertainment, was quite as much as an humble Clerk’s
brain could hold.
There was a great deal of Music—that I do remember. Also that the
entertainment was termed an opera and that the name of the piece was
"The Cruelty of the Spaniards in Peru." My omniscient Neighbour told me
presently that no doubt the Performance was an artful piece of Flattery
on the part of Bill (meaning, I suppose, Sir William Davenant) who, by
blackening the Spaniards, made Old Noll’s tyranny appear like bountiful
Mercies.
But I did not like to hear our Lord Protector spoken of with such
levity. Moreover, my Neighbour’s incessant Chatter distracted me from
the Stage.
What I do remember more vividly than anything else on that memorable Day
was your cry of delight when Mr. Betterton appeared upon the Stage. I
do not know if you had actually spoken with him before; I certainly had
never even seen him. Mr. Betterton was then apprenticed to Mr. Rhodes,
the Bookseller, and it was entirely against the Judgment and Wishes of
Mistress Euphrosine Baggs, his Sister, that he adopted the Stage as an
additional calling. I know that there were many high Words on that
subject between Mr. Betterton and Mistress Euphrosine, Mr. Rhodes
greatly supporting the young Man in his Desire, he having already
formulated schemes of his own for the management of a Theatre, and
extolling the virtues of the Actor’s Art and the vastly lucrative State
thereof.
But Mistress Euphrosine would have none of it. Actors were Rogues and
Vagabonds, she said, ungodly Reprobates who were unfit, when dead, to be
buried in consecrated ground. She would never consent to seeing a
Brother of hers follow so disreputable a Calling. From high words it
came to an open Quarrel, and though I had been over a year in the House
of Mr. Theophilus Baggs, I had never until this day set eyes on young
Mr. Betterton.
Public-domain text, read in full here on John Shaqi.
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