Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
He complimented Mahoudeau on his ‘Vintaging Girl’; showed himself
paternal to all of them, with that broad-minded good-nature of his, the
free and easy manner of an old Bohemian of the romantic school, who had
settled down and was decorated. Then, turning to Claude:
‘Well, what did I tell you? Did you see upstairs? You have become the
chief of a school.’
‘Ah! yes,’ replied Claude. ‘They are giving it me nicely. You are the
master of us all.’
But Bongrand made his usual gesture of vague suffering and went off,
saying, ‘Hold your tongue! I am not even my own master.’
For a few moments longer the band wandered through the garden. They
had gone back to look at the ‘Vintaging Girl,’ when Jory noticed that
Gagnière no longer had Irma Bécot on his arm. Gagnière was stupefied;
where the deuce could he have lost her? But when Fagerolles had told him
that she had gone off in the crowd with two gentlemen, he recovered his
composure, and followed the others, lighter of heart now that he was
relieved of that girl who had bewildered him.
People now only moved about with difficulty. All the seats were taken by
storm; groups blocked up the paths, where the promenaders paused every
now and then, flowing back around the successful bits of bronze and
marble. From the crowded buffet there arose a loud buzzing, a clatter
of saucers and spoons which mingled with the throb of life pervading
the vast nave. The sparrows had flown up to the forest of iron girders
again, and one could hear their sharp little chirps, the twittering with
which they serenaded the setting sun, under the warm panes of the glass
roof. The atmosphere, moreover, had become heavy, there was a damp
greenhouse-like warmth; the air, stationary as it was, had an odour as
of humus, freshly turned over. And rising above the garden throng,
the din of the first-floor galleries, the tramping of feet on their
iron-girdered flooring still rolled on with the clamour of a tempest
beating against a cliff.
Claude, who had a keen perception of that rumbling storm, ended by
hearing nothing else; it had been let loose and was howling in his
ears. It was the merriment of the crowd whose jeers and laughter swept
hurricane-like past his picture. With a weary gesture he exclaimed:
‘Come, what are we messing about here for? I sha’n’t take anything at
the refreshment bar, it reeks of the Institute. Let’s go and have a
glass of beer outside, eh?’
Public-domain text, read in full here on John Shaqi.
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