Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
They all went out, with sinking legs and tired faces, expressive of
contempt. Once outside, on finding themselves again face to face with
healthy mother Nature in her springtide season, they breathed noisily
with an air of delight. It had barely struck four o’clock, the slanting
sun swept along the Champs Elysées and everything flared: the serried
rows of carriages, like the fresh foliage of the trees, and the
sheaf-like fountains which spouted up and whirled away in golden dust.
With a sauntering step they went hesitatingly down the central avenue,
and finally stranded in a little café, the Pavillon de la Concorde, on
the left, just before reaching the Place. The place was so small that
they sat down outside it at the edge of the footway, despite the chill
which fell from a vault of leaves, already fully grown and gloomy.
But beyond the four rows of chestnut-trees, beyond the belt of verdant
shade, they could see the sunlit roadway of the main avenue where Paris
passed before them as in a nimbus, the carriages with their wheels
radiating like stars, the big yellow omnibuses, looking even more
profusely gilded than triumphal chariots, the horsemen whose steeds
seemed to raise clouds of sparks, and the foot passengers whom the light
enveloped in splendour.
And during nearly three hours, with his beer untasted before him, Claude
went on talking and arguing amid a growing fever, broken down as he was
in body, and with his mind full of all the painting he had just seen. It
was the usual winding up of their visit to the Salon, though this year
they were more impassioned on account of the liberal measure of the
Emperor.
‘Well, and what of it, if the public does laugh?’ cried Claude. ‘We must
educate the public, that’s all. In reality it’s a victory. Take away two
hundred grotesque canvases, and our Salon beats theirs. We have courage
and audacity--we are the future. Yes, yes, you’ll see it later on; we
shall kill their Salon. We shall enter it as conquerors, by dint of
producing masterpieces. Laugh, laugh, you big stupid Paris--laugh until
you fall on your knees before us!’
And stopping short, he pointed prophetically to the triumphal avenue,
where the luxury and happiness of the city went rolling by in the
sunlight. His arms stretched out till they embraced even the Place de
la Concorde, which could be seen slantwise from where they sat under the
trees--the Place de la Concorde, with the plashing water of one of its
fountains, a strip of balustrade, and two of its statues--Rouen, with
the gigantic bosom, and Lille, thrusting forward her huge bare foot.
‘“In the open air”--it amuses them, eh?’ he resumed. ‘All right, since
they are bent on it, the “open air” then, the school of the “open air!”
Eh! it was a thing strictly between us, it didn’t exist yesterday beyond
the circle of a few painters. But now they throw the word upon the
winds, and they found the school. Oh! I’m agreeable. Let it be the
school of the “open air!”’
Public-domain text, read in full here on John Shaqi.
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