Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
However, Claude did make some attempts at work. He began a study of
the slopes of Jeufosse, with the Seine in the foreground; but Christine
followed him to the islet where he had installed himself, and sat down
on the grass close to him with parted lips, her eyes watching the
blue sky. And she looked so pretty there amidst the verdure, in that
solitude, where nothing broke the silence but the rippling of the water,
that every minute he relinquished his palette to nestle by her side. On
another occasion, he was altogether charmed by an old farmhouse, shaded
by some antiquated apple trees which had grown to the size of oaks. He
came thither two days in succession, but on the third Christine took him
to the market at Bonnières to buy some hens. The next day was also lost;
the canvas had dried; then he grew impatient in trying to work at it
again, and finally abandoned it altogether. Throughout the warm weather
he thus made but a pretence to work--barely roughing out little bits of
painting, which he laid aside on the first pretext, without an effort at
perseverance. His passion for toil, that fever of former days that had
made him rise at daybreak to battle with his rebellious art, seemed to
have gone; a reaction of indifference and laziness had set in, and he
vegetated delightfully, like one who is recovering from some severe
illness.
But Christine lived indeed. All the latent passion of her nature burst
into being. She was indeed an amorosa, a child of nature and of love.
Thus their days passed by and solitude did not prove irksome to them.
No desire for diversion, of paying or receiving visits, as yet made them
look beyond themselves. Such hours as she did not spend near him, she
employed in household cares, turning the house upside down with great
cleanings, which Mélie executed under her supervision, and falling into
fits of reckless activity, which led her to engage in personal combats
with the few saucepans in the kitchen. The garden especially occupied
her; provided with pruning shears, careless of the thorns which
lacerated her hands, she reaped harvests of roses from the giant
rose-bushes; and she gave herself a thorough back-ache in gathering
the apricots, which she sold for two hundred francs to some of the
Englishmen who scoured the district every year. She was very proud of
her bargain, and seriously talked of living upon the garden produce.
Claude cared less for gardening; he had placed his couch in the large
dining-room, transformed into a studio; and he stretched himself upon
it, and through the open window watched her sow and plant. There was
profound peace, the certainty that nobody would come, that no ring at
the bell would disturb them at any moment of the day. Claude carried
this fear of coming into contact with people so far as to avoid passing
Faucheur’s inn, for he dreaded lest he might run against some party
of chums from Paris. Not a soul came, however, throughout the livelong
summer.
Public-domain text, read in full here on John Shaqi.
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