Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
And every night as they went upstairs, he repeated that, after
all, it was deuced lucky.
There was, however, a secret sore in the depths of his happiness.
After their flight from Paris, Sandoz had learnt their address, and had
written to ask whether he might go to see Claude, but the latter had
not answered the letter, and so coolness had followed, and the old
friendship seemed dead. Christine was grieved at this, for she realised
well enough that he had broken off all intercourse with his comrades for
her sake. She constantly reverted to the subject; she did not want to
estrange him from his friends, and indeed she insisted that he should
invite them. But, though he promised to set matters right, he did
nothing of the kind. It was all over; what was the use of raking up the
past?
However, money having become scarce towards the latter days of July, he
was obliged to go to Paris to sell Papa Malgras half a dozen of his old
studies, and Christine, on accompanying him to the station, made him
solemnly promise that he would go to see Sandoz. In the evening she was
there again, at the Bonnières Station, waiting for him.
‘Well, did you see him? did you embrace each other?’
He began walking by her side in silent embarrassment. Then he answered
in a husky voice:
‘No; I hadn’t time.’
Thereupon, sorely distressed, with two big tears welling to her eyes,
she replied:
‘You grieve me very much indeed.’
Then, as they were walking under the trees, he kissed her, crying also,
and begging her not to make him sadder still. ‘Could people alter life?
Did it not suffice that they were happy together?’
Public-domain text, read in full here on John Shaqi.
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