Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
The others protested. Well, what about the hundred thousand francs’
worth of pictures he had sold a year, and his medals and his cross
of the Legion of Honour? But Gagnière, still obstinate, smiled with
a mysterious air, as if facts could not prevail against his inner
conviction. He wagged his head and, full of disdain, replied:
‘Let me be! He never knew anything about chiaroscuro.’
Jory was about to defend the talent of Fagerolles, whom he considered to
be his own creation, when Henriette solicited a little attention for
the _raviolis_. There was a short slackening of the quarrel amid the
crystalline clinking of the glasses and the light clatter of the forks.
The table, laid with such fine symmetry, was already in confusion, and
seemed to sparkle still more amid the ardent fire of the quarrel. And
Sandoz, growing anxious, felt astonished. What was the matter with them
all that they attacked Fagerolles so harshly? Hadn’t they all begun
together, and were they not all to reach the goal in the same victory?
For the first time, a feeling of uneasiness disturbed his dream of
eternity, that delight in his Thursdays, which he had pictured following
one upon another, all alike, all of them happy ones, into the far
distance of the future. But the feeling was as yet only skin deep, and
he laughingly exclaimed:
‘Husband your strength, Claude, here are the hazel-hens. Eh! Claude,
where are you?’
Since silence had prevailed, Claude had relapsed into his dream, gazing
about him vacantly, and taking a second help of _raviolis_ without
knowing what he was about; Christine, who said nothing, but sat there
looking sad and charming, did not take her eyes off him. He started when
Sandoz spoke, and chose a leg from amid the bits of hazel-hen now being
served, the strong fumes of which filled the room with a resinous smell.
‘Do you smell that?’ exclaimed Sandoz, amused; ‘one would think one were
swallowing all the forests of Russia.’
But Claude returned to the matter which worried him.
‘Then you say that Fagerolles will be entrusted with the paintings for
the Municipal Council’s assembly room?’
And this remark sufficed; Mahoudeau and Gagnière, set on the track, at
once started off again. Ah! a nice wishy-washy smearing it would be
if that assembly room were allotted to him; and he was doing plenty of
dirty things to get it. He, who had formerly pretended to spit on
orders for work, like a great artist surrounded by amateurs, was basely
cringing to the officials, now that his pictures no longer sold.
Could anything more despicable be imagined than a painter soliciting
a functionary, bowing and scraping, showing all kinds of cowardice and
making all kinds of concessions? It was shameful that art should be
dependent upon a Minister’s idiotic good pleasure! Fagerolles, at that
official dinner he had gone to, was no doubt conscientiously licking the
boots of some chief clerk, some idiot who was only fit to be made a guy
of.
Public-domain text, read in full here on John Shaqi.
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