Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
‘Well,’ said Jory, ‘he effects his purpose, and he’s quite right. _You_
won’t pay his debts.’
‘Debts? Have I any debts, I who have always starved?’ answered Mahoudeau
in a roughly arrogant tone. ‘Ought a fellow to build himself a palace
and spend money on creatures like that Irma Bécot, who’s ruining
Fagerolles?’
At this Jory grew angry, while the others jested, and Irma’s name went
flying over the table. But Mathilde, who had so far remained reserved
and silent by way of making a show of good breeding, became intensely
indignant. ‘Oh! gentlemen, oh! gentlemen,’ she exclaimed, ‘to talk
before _us_ about that creature. No, not that creature, I implore you!
After that Henriette and Sandoz, who were in consternation, witnessed
the rout of their menu. The truffle salad, the ice, the dessert,
everything was swallowed without being at all appreciated amidst the
rising anger of the quarrel; and the chambertin and sparkling moselle
were imbibed as if they had merely been water. In vain did Henriette
smile, while Sandoz good-naturedly tried to calm them by making
allowances for human weakness. Not one of them retreated from his
position; a single word made them spring upon each other. There was
none of the vague boredom, the somniferous satiety which at times had
saddened their old gatherings; at present there was real ferocity in the
struggle, a longing to destroy one another. The tapers of the hanging
lamp flared up, the painted flowers of the earthenware on the walls
bloomed, the table seemed to have caught fire amid the upsetting of its
symmetrical arrangements and the violence of the talk, that demolishing
onslaught of chatter which had filled them with fever for a couple of
hours past.
And amid the racket, when Henriette made up her mind to rise so as to
silence them, Claude at length remarked:
‘Ah! if I only had the Hôtel de Ville work, and if I could! It used to
be my dream to cover all the walls of Paris!’
They returned to the drawing-room, where the little chandelier and the
bracket-candelabra had just been lighted. It seemed almost cold there in
comparison with the kind of hot-house which had just been left; and
for a moment the coffee calmed the guests. Nobody beyond Fagerolles was
expected. The house was not an open one by any means, the Sandozes
did not recruit literary dependents or muzzle the press by dint of
invitations. The wife detested society, and the husband said with a
laugh that he needed ten years to take a liking to anybody, and then he
must like him always. But was not that real happiness, seldom realised?
A few sound friendships and a nook full of family affection. No
music was ever played there, and nobody had ever read a page of his
composition aloud.
Public-domain text, read in full here on John Shaqi.
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