Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
‘No; one does not know, and still we ought to know. But each time a
professor has wanted to impress a truth upon me, I have mistrustfully
revolted, thinking: “He is either deceiving himself or deceiving me.”
Their ideas exasperate me. It seems to me that truth is larger, more
general. How beautiful would it be if one could devote the whole of
one’s existence to one single work, into which one would endeavour to
put everything, the beasts of the field as well as mankind; in short,
a kind of immense ark. And not in the order indicated by manuals of
philosophy, or according to the idiotic hierarchy on which we pride
ourselves, but according to the full current of life; a world in which
we should be nothing more than an accident, in which the passing cur,
even the stones of the roads, would complete and explain us. In sum, the
grand whole, without low or high, or clean or unclean, such as it indeed
is in reality. It is certainly to science that poets and novelists ought
to address themselves, for it is the only possible source of inspiration
to-day. But what are we to borrow from it? How are we to march in its
company? The moment I begin to think about that sort of thing I feel
that I am floundering. Ah, if I only knew, what a series of books I
would hurl at the heads of the crowd!’
He also became silent. The previous winter he had published his first
book: a series of little sketches, brought from Plassans, among which
only a few rougher notes indicated that the author was a mutineer, a
passionate lover of truth and power. And lately he had been feeling his
way, questioning himself while all sorts of confused ideas throbbed in
his brain. At first, smitten with the thought of undertaking something
herculean, he had planned a genesis of the universe, in three phases or
parts; the creation narrated according to science; mankind supervening
at the appointed hour and playing its part in the chain of beings and
events; then the future--beings constantly following one another, and
finishing the creation of the world by the endless labour of life. But
he had calmed down in presence of the venturesome hypotheses of this
third phase; and he was now looking out for a more restricted, more
human framework, in which, however, his vast ambition might find room.
Public-domain text, read in full here on John Shaqi.
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