Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
Meantime the four others, Claude and Mahoudeau, Jory and Sandoz,
strolled along, seeming to take up the whole width of the Boulevard des
Invalides. It was the usual thing, the band was gradually increased by
the accession of comrades picked up on the way, and then came the wild
march of a horde upon the war-path. With the bold assurance of their
twenty summers, these young fellows took possession of the foot
pavement. The moment they were together trumpets seemed to sound in
advance of them; they seized upon Paris and quietly dropped it into
their pockets. There was no longer the slightest doubt about their
victory; they freely displayed their threadbare coats and old shoes,
like destined conquerors of to-morrow who disdained bagatelles, and
had only to take the trouble to become the masters of all the luxury
surrounding them. And all this was attended by huge contempt for
everything that was not art--contempt for fortune, contempt for the
world at large, and, above all, contempt for politics. What was the good
of all such rubbish? Only a lot of incapables meddled with it. A warped
view of things, magnificent in its very injustice, exalted them; an
intentional ignorance of the necessities of social life, the crazy dream
of having none but artists upon earth. They seemed very stupid at times,
but, all the same, their passion made them strong and brave.
Claude became excited. Faith in himself revived amidst the glow of
common hopes. His worry of the morning had only left a vague numbness
behind, and he now once more began to discuss his picture with Sandoz
and Mahoudeau, swearing, it is true, that he would destroy it the next
day. Jory, who was very short-sighted, stared at all the elderly ladies
he met, and aired his theories on artistic work. A man ought to give his
full measure at once in the first spurt of inspiration; as for himself,
he never corrected anything. And, still discussing, the four friends
went on down the boulevard, which, with its comparative solitude, and
its endless rows of fine trees, seemed to have been expressly designed
as an arena for their disputations. When they reached the Esplanade,
the wrangling became so violent that they stopped in the middle of that
large open space. Beside himself, Claude called Jory a numskull; was it
not better to destroy one’s work than to launch a mediocre performance
upon the world? Truckling to trade was really disgusting. Mahoudeau
and Sandoz, on their side, shouted both together at the same time. Some
passers-by, feeling uneasy, turned round to look, and at last gathered
round these furious young fellows, who seemed bent on swallowing each
other. But they went off vexed, thinking that some practical joke had
been played upon them, when they suddenly saw the quartette, all good
friends again, go into raptures over a wet-nurse, dressed in light
colours, with long cherry-tinted ribbons streaming from her cap. There,
now! That was something like--what a tint, what a bright note it set
Public-domain text, read in full here on John Shaqi.
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