Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
They had resumed walking; they still roamed about, found themselves
behind the Madeleine, and went up the Rue Tronchet. At last, as they
reached the Place du Havre, Sandoz exclaimed, ‘So we are going to
Baudequin’s, eh?’
The others looked as if they had dropped from the sky; in fact, it did
seem as if they were going to Baudequin’s.
‘What day of the week is it?’ asked Claude. ‘Thursday, eh? Then
Fagerolles and Gagnière are sure to be there. Let’s go to Baudequin’s.’
And thereupon they went up the Rue d’Amsterdam. They had just crossed
Paris, one of their favourite rambles, but they took other routes at
times--from one end of the quays to the other; or from the Porte St.
Jacques to the Moulineaux, or else to Père-la-Chaise, followed by a
roundabout return along the outer boulevards. They roamed the streets,
the open spaces, the crossways; they rambled on for whole days, as long
as their legs would carry them, as if intent on conquering one
district after another by hurling their revolutionary theories at the
house-fronts; and the pavement seemed to be their property--all the
pavement touched by their feet, all that old battleground whence arose
intoxicating fumes which made them forget their lassitude.
The Café Baudequin was situated on the Boulevard des Batignolles, at
the corner of the Rue Darcet. Without the least why or wherefore, it had
been selected by the band as their meeting-place, though Gagnière alone
lived in the neighbourhood. They met there regularly on Sunday nights;
and on Thursday afternoons, at about five o’clock, those who were then
at liberty had made it a habit to look in for a moment. That day, as the
weather was fine and bright, the little tables outside under the awning
were occupied by rows of customers, obstructing the footway. But the
band hated all elbowing and public exhibition, so they jostled the other
people in order to go inside, where all was deserted and cool.
‘Hallo, there’s Fagerolles by himself,’ exclaimed Claude.
He had gone straight to their usual table at the end of the café, on
the left, where he shook hands with a pale, thin, young man, whose pert
girlish face was lighted up by a pair of winning, satirical grey eyes,
which at times flashed like steel. They all sat down and ordered beer,
after which the painter resumed:
‘Do you know that I went to look for you at your father’s; and a nice
reception he gave me.’
Fagerolles, who affected a low devil-may-care style, slapped his thighs.
‘Oh, the old fellow plagues me! I hooked it this morning, after a row.
He wants me to draw some things for his beastly zinc stuff. As if I
hadn’t enough zinc stuff at the Art School.’
Public-domain text, read in full here on John Shaqi.
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