Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
Claude by this time grew conscious of having a woman’s care around him.
In order to make her sit down and chat quietly, he would ask her now and
then to sew a torn cuff or coat-tail. She herself had offered to look
over his linen; but it was no longer with the ardour of a housewife,
eager to be up and doing. First of all, she hardly knew how to work; she
held her needle like a girl brought up in contempt of sewing. Besides,
the enforced quiescence and the attention that had to be given to
such work, the small stitches which had to be looked to one by one,
exasperated her. Thus the studio was bright with cleanliness like a
drawing-room, but Claude himself remained in rags, and they both joked
about it, thinking it great fun.
How happy were those months that they spent together, those four months
of frost and rain whiled away in the studio, where the red-hot stove
roared like an organ-pipe! The winter seemed to isolate them from the
world still more. When the snow covered the adjacent roofs, when the
sparrows fluttered against the window, they smiled at feeling warm and
cosy, at being lost, as it were, amidst the great silent city. But
they did not always confine themselves to that one little nook, for she
allowed him at last to see her home. For a long while she had insisted
upon going away by herself, feeling ashamed of being seen in the streets
on a man’s arm. Then, one day when the rain fell all of a sudden, she
was obliged to let him come downstairs with an umbrella. The rain having
ceased almost immediately, she sent him back when they reached the other
side of the Pont Louis-Philippe. They only remained a few moments beside
the parapet, looking at the Mail, and happy at being together in the
open air. Down below, large barges, moored against the quay, and full
of apples, were ranged four rows deep, so close together that the planks
thrown across them made a continuous path for the women and children
running to and fro. They were amused by the sight of all that fruit,
those enormous piles littering the banks, the round baskets which were
carried hither and thither, while a strong odour, suggestive of cider in
fermentation, mingled with the moist gusts from the river.
Public-domain text, read in full here on John Shaqi.
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