Autobiographical fiction; Impressionist artists -- France -- Paris -- Fiction; Paris (France) -- Intellectual life -- Fiction
A week later, when the sun again showed itself, and Claude extolled the
solitude of the quays round the Isle Saint Louis, Christine consented to
take a walk. They strolled up the Quai de Bourbon and the Quai d’Anjou,
pausing at every few steps and growing interested in the various scenes
of river life; the dredger whose buckets grated against their chains,
the floating wash-house, which resounded with the hubbub of a quarrel,
and the steam cranes busy unloading the lighters. She did not cease to
wonder at one thought which came to her. Was it possible that yonder
Quai des Ormes, so full of life across the stream, that this Quai Henri
IV., with its broad embankment and lower shore, where bands of children
and dogs rolled over in the sand, that this panorama of an active,
densely-populated capital was the same accursed scene that had appeared
to her for a moment in a gory flash on the night of her arrival? They
went round the point of the island, strolling more leisurely still to
enjoy the solitude and tranquillity which the old historic mansions seem
to have implanted there. They watched the water seething between the
wooden piles of the Estacade, and returned by way of the Quai de Béthune
and the Quai d’Orléans, instinctively drawn closer to each other by
the widening of the stream, keeping elbow to elbow at sight of the vast
flow, with their eyes fixed on the distant Halle aux Vins and the
Jardin des Plantes. In the pale sky, the cupolas of the public buildings
assumed a bluish hue. When they reached the Pont St. Louis, Claude had
to point out Notre-Dame by name, for Christine did not recognise
the edifice from the rear, where it looked like a colossal creature
crouching down between its flying buttresses, which suggested sprawling
paws, while above its long leviathan spine its towers rose like a double
head. Their real find that day, however, was at the western point of
the island, that point like the prow of a ship always riding at anchor,
afloat between two swift currents, in sight of Paris, but ever unable
to get into port. They went down some very steep steps there, and
discovered a solitary bank planted with lofty trees. It was a charming
refuge--a hermitage in the midst of a crowd. Paris was rumbling around
them, on the quays, on the bridges, while they at the water’s edge
tasted the delight of being alone, ignored by the whole world. From that
day forth that bank became a little rustic coign of theirs, a favourite
open-air resort, where they took advantage of the sunny hours, when
the great heat of the studio, where the red-hot stove kept roaring,
oppressed them too much, filling their hands with a fever of which they
were afraid.
Public-domain text, read in full here on John Shaqi.
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