Deception -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Fiancées -- Fiction; Love stories
“Good afternoon, Miss Trant.”
“Good afternoon,” I murmured rather feebly, as I retraced my steps over
that long, long stretch of carpet to the door.
I felt furious with myself for lacking the ordinary pluck to tell the
Governor then and there:
“I shan’t need to-night to think the question over. My answer is ‘No!’ I
can’t possibly undertake such an arrangement.”
For how can I? How can I accept such an extraordinary position?
“Officially” engaged to the Governor—the office tyrant, the mummy, the
fault-finding automaton! Fancy “going about” with him, letting everyone
imagine that I was actually going to marry him! Fancy playing that
Gilbertian part, with no rouge and no fun and no footlights to carry
me through it, in a “piece” that went on all day and every day! And
fancy—this was almost the most appalling thought of all—fancy having to
face all the other girls in the office.
Oh, impossible; quite impossible! I can’t do it. I must summon up all my
courage and tell him so to-morrow.
* * * * *
“Well?” whispered Miss Robinson, from the next typing-table. “What _did_
the graven image say? Was he a brute? _Is_ it the sack? Or is he giving
you another chance?”
“I think he means to give me another chance,” I murmured. (Such a
chance!) “I am——”
“_Talking_, ladies!” broke in the warning. “Miss Trant, it’s generally
you, I notice!”
And Mr. Dundonald’s voice brought back the bugbear that has haunted me
since twelve this morning—the terror of being penniless and out of work
once more.
Oh, if I could only attain to some job, _some other job_, that would
bring me in that princely salary of ten pounds a week! Imagine the
blessed relief, the security of knowing that one had five hundred pounds
in one glorious, solid lump at one’s back. But then, imagine accepting
the Governor’s terms before one earned it! Oh, no!
The bogey “_out of work_” haunted me down into the Tube lift, along the
Embankment, all the way back up our grey Battersea street, with the
red-faced pavement-artist who always touches his cap to me, smiles and
points to his lurid chalk-drawing of a wreck with the legend: “_Like the
Artist—On the Rocks!_”
“I’m on the rocks myself, Blossom. This is probably the last penny I
shall be able to give you!” I told him, with a desperate little laugh.
Then I turned in at the entrance to Marconi Mansions, and climbed up our
stone stairs to the cheap but cosy little top-flat which has for six
months meant “Home” to us two bachelor girls.
How long should _I_ be able to afford to share it?
CHAPTER III
THINKING IT OVER——
Public-domain text, read in full here on John Shaqi.
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