Alcohol trafficking -- Fiction; Mountain life -- Tennessee -- Fiction
He had dismounted from his horse, a light-tinted yellow roan, who stood
as still as if he were of bronze, while his master leaned against the
saddle, with his hand on the bridle. He held the other arm akimbo, with
his hand on the belt which supported a knife and a pair of pistols.
They were unconcealed by a coat; he wore a blue shirt and blue jeans
trousers, with heavy boots drawn to the knees; and she recognized him
rather by his accoutrements than his face, for his wide white wool hat
was pulled far over it. From under the broad brim he gazed at her with
sullen, lowering eyes.
"I hearn ye callin' the cow, an' I knowed yer voice," he said. "I been
waitin' fur ye."
She faltered for a moment; then, with an evident effort, quickened her
step and went forward to meet him. She apprehended the anger in his
face, apparently, for there was a disarming, deprecating look in her
clear dark eyes as she cast them up at him. Her yellow sunbonnet hardly
served more for shelter than an aureola might have done,--a background
for her auburn head; her dark brown dress and the green shadows of the
trees added a pallor to her white oval face with its small delicate
chin. He did not heed her appealing gaze. It was with a stern, hard
voice that he spoke, and a fiery eye.
"I hev got a word ter say ter ye, Ad'licia," he began, walking slowly
by her side and leading his horse, the reins thrown over his arm and
his uplifted hand near the bit.
The animal's head was close above his shoulder, and as Adelicia met the
creature's large-eyed and liquid gaze it seemed to her as if she were
doubly arraigned before them both.
"Ye needn't ter try ter fool me," said Jack Espey between his teeth.
"I ain't tryin' ter fool ye," protested Adelicia.
He looked at her narrowly, taking note of her evident discomposure, and
placing disastrous construction upon it.
"Ye 'low ye kin fool me 'thout tryin', I reckon," he said, with a
sarcastic smile.
"I ain't a-foolin' ye," gasped Adelicia. "Ye know--why, _ye know_
I ain't!"
He hesitated, half constrained to believe her. He still gazed
searchingly at her from under the broad brim of his hat. Her wild,
agitated look made him doubtful.
"Now, ye jes' ondertake ter fool me," he continued, with an accession
of angry jealousy, "an'"--he laid his hand on the pistol in his
belt--"I'll ondertake ter shoot ye dead on the spot."
The color surged to her face. The tears rushed to her eyes. A sharp
conflict waged in her heart for a moment, and then she walked on beside
him, pale, composed, silent, as if she were alone in the depths of the
primeval wilderness.
Only the sound of the stir of the saddle with the breathing of the
horse as the animal tramped on behind them, their muffled footfalls
barely perceptible on the thick herbage of the cattle path, the light
whisper of the wind in the leaves, broke the pause, while Jack Espey's
touch trembled on the handle of the pistol as he walked beside her.
Her calmness shook his own composure.
Public-domain text, read in full here on John Shaqi.
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