Historia Amoris: A History of Love, Ancient and ModernSaltus, Edgar
Philosophy
Historia Amoris: A History of Love, Ancient and Modern
Saltus, Edgar
Love
In the beginning of things woman was common property. With individual
ownership came the necessity of defence. Man defended woman against even
herself. He beat her, stoned her, killed her. From the massacre of
myriads, constancy resulted. With it came the home: a hut in a forest, a
fort on a hill, in the desert a tent, yet, wherever situated, surrounded
by foes. The foes were the elements. In the thunderclap was their anger.
In the rustle of leaves their threats. They were placatable, however. They
could be appeased, as human beings are, by giving them something. Usually
the gift was the sacrifice of whatever the owner cared for most; in later
days it was love, pleasure, sense, but in these simpler times, when
humanity knew nothing of pleasure, less of love, and had no sense, when
the dominant sensation was fright, when every object had its spectre, it
was accomplished by the immolation of whatever the individual would have
liked to have had given to him. As intelligence developed, distinctions
necessarily arose between the animate and the inanimate, the imaginary and
the real. Instead of attributing a malignant spirit to every element, the
forces of nature were conglomerated, the earth became an object of
worship, the sun another, that being insufficient they were united in
nuptials from which the gods were born--demons from whom descended kings
that were sons of heaven and sovereigns of the world.
In the process, man, who had begun by being a brute, succeeded in becoming
a lunatic only to develop into a child. The latter evolution was, at the
time, remote. Only lunatics abounded. But lunatics may dream. These did.
Their conceptions produced after-effects curiously profound, widely
disseminated, which, first elaborated by Chaldæan seers, Nineveh emptied
into Babylon.
Babylon, Queen of the Orient, beckoned by Semiramis out of myth, was made
by her after her image. That image was passion. The city, equivocal and
immense, brilliant as the sun, a lighthouse in the surrounding night, was
a bazaar of beauty. From the upper reaches of the Euphrates, through great
gates that were never closed, Armenia poured her wines where already
Nineveh had emptied her rites. In the conjunction were festivals that
magnetized the stranger from afar. At the very gates Babylon yielded to
him her daughters. He might be a herder, a bedouin, a bondman;
indifferently the voluptuous city embraced him, lulled him with the myrrh
and cassia of her caresses, sheltering him and all others that came in the
folds of her monstrous robe.
In emptying rites into this furnace Nineveh also projected her gods, the
princes of the Chaldæan sky, the lords of the ghostland, that, in patient
perversities, her seers had devised. Four thousand of them Babylon
swallowed, digested, reproduced. Some were nebulous, some were saurian,
many were horrible, all were impure. But, chiefly, there was Ishtar.
Semiramis conquered the world. Ishtar set it on fire.
Public-domain text, read in full here on John Shaqi.
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