Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
Nothing jars; for if the jewel were away the setting would still be
among the noblest monuments on earth. The minarets at the four corners
of the platform are a moment’s stumbling-block: they look irreverently
like the military masts of a battleship, and the hard lines where
the stones join remind you of a London subway. But look at the Taj
itself, and the minarets fall instantly into place; they set off its
glories, and, standing like acolytes, seem to be challenging you not
to worship it. At each side, below the Taj, is a triple-domed building
of sandstone and marble; the hot red throws up the pearl-and-ivory
softness of the Taj. The cloisters round the garden, the lordly
caravanserai outside the gate, the clustering domes and mosaic texts
from the Koran on the great gate itself--all this you hardly notice;
but when you do, you find that every point is perfection. As for
the garden, with shady trees of every hue, from sprightly yellow to
funereal cypress, with purple blossoms cascading from the topmost
boughs, with roses and lilies, phloxes and carnations--and the channel
of clear water with twenty fountains that runs through the garden, and
the basin with the goldfish.... It is pure Arabian Nights! You listen
for the speaking bird and the singing tree. And was it not hither
that Prince Ahmed, leaving his brother Ali to cuddle Nuronnihar in the
palace, followed his arrow? And is not that the fairy Peri-Banu coming
out of the pleasure-house to welcome him? Surely man never made such
a Paradise: it must be the fabric of a dream wafted through gates of
silver and opal.
O Shah Jehan, Shah Jehan, you are bewitching a respectable
newspaper-correspondent. The thought of you is strong wine. Shah Jehan,
with your queens and concubines without number, their amber feet
mirrored in marble, their ivory limbs mirrored in quicksilver; Shah
Jehan, who starved them in the black oubliettes, and hung them from the
mouldy beam, and sluiced their beautiful bodies into the cold river;
Shah Jehan, with elephants and peacocks; Shah Jehan, returning from the
conquered Dekhan, dismounting in the Armoury Square, hastening through
the Grape Garden, hastening past the fair ones in the Golden Pavilion
to the fairest within the Jasmine Tower!
Public-domain text, read in full here on John Shaqi.
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