Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
Shah Jehan--Grape Garden--Golden Pavilion--Jasmine Tower--there is
dizzy magic in the very names. And when I turn aside in your garden,
shunning your fierce black-and-scarlet petals to bring back my senses
with English stocks and pansies, the sight of your Taj through the
trees sends my brain areel again. I go in and stand by your tomb. The
jewel-creepers blossom more luxuriantly than ever in the trellised
screen that encloses it, and the two oblong cenotaphs are embowered in
gems. But here it is dark and cool: light comes in only through double
lattices of feathery marble. You look up into a dome, obscure and
mysterious, but mightily expansive, as it were the vault of the heaven
of the dead. It is very well; it is the fit close. In this breathless
twilight, after his battles and buildings, his ecstasies and torments,
his love and his loss, Shah Jehan has come to his own again for ever.
THE PRIORY AND CHURCH OF ST. BARTHOLOMEW
CHARLES KNIGHT
Of all the persons whom the mighty business of providing sustenance for
the population of London leads among the pens, and crowds, and filth
of the great Metropolitan beast-market--of all those whom pleasure
attracts to the gingerbread and shows, and gong-resounding din of the
great Fair--or, lastly, of all those whom chance, or a dim remembrance
of the popular memories of the place, its burnings, tournaments, etc.,
or any other motive, brings into Smithfield--we wonder how many, as
they pass the south-western corner of the area, look through the
ancient gateway which leads up to the still more ancient church of St.
Bartholomew, with a kindly remembrance of the man (whose ashes there
repose) from whom these, and most of the other interesting features and
recollections of Smithfield, are directly or indirectly derived? We
fear very few. Time has wrought strange changes in the scene around;
and it is not at all surprising that we should forget what has ceased
to be readily visible. Who could suppose, from a mere hasty glance at
the comparatively mean-looking brick tower, and the narrow restricted
site of St. Bartholomew, that that very edifice was once the centre
only, of the splendid church of a splendid monastery--a church which
extended its spacious transepts on either side, and sent up a noble
tower high up into the air, to overlook, and, as it were, to guard, the
stately halls, far-extending cloisters, and delightful gardens that
surrounded the sacred edifice? Or, again, who would suspect that the
site of this extensive establishment (now in a great measure covered
with houses), and most probably the entire space of Smithfield, was,
prior to the foundation of the former, nothing but a marsh “dunge and
fenny,” with the exception of a solitary spot of dry land, occupied
by the travellers’ token of civilization, a gallows? Yet such are the
changes that have taken place, and for all that is valuable in them our
Public-domain text, read in full here on John Shaqi.
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