Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
Minutes! Seconds are not marked upon the Palace Clock, when, with
her eyes flashing fire, Goblin is up in the middle of the chamber,
describing, with her sunburnt arms, a wheel of heavy blows. Thus it
ran round! cries Goblin. Mash, mash, mash! An endless routine of heavy
hammers. Mash, mash, mash! upon the sufferer’s limbs. See the stone
trough! says Goblin. For the water torture! Gurgle, swill, bloat,
burst, for the Redeemer’s honour! Suck the bloody rag, deep down into
your unbelieving body, Heretic, at every breath you draw. And when
the executioner plucks it out, reeking with the smaller mysteries of
God’s own Image, know us for His chosen servants, true believers in the
Sermon on the Mount, elect disciples of Him who never did a miracle
but to heal: who never struck a man with palsy, blindness, deafness,
dumbness, madness, any one affliction of mankind; and never stretched
His blessed hand out, but to give relief and ease!
See! cries Goblin. There the furnace was. There they made the irons
red-hot. Those holes supported the sharp stake, on which the tortured
persons hung poised: dangling with their whole weight from the roof.
“But”--and Goblin whispers this--“Monsieur has heard of this tower?
Yes? Let Monsieur look down then!”
A cold air, laden with an earthy smell, falls upon the face of
Monsieur; for she has opened, while speaking, a trap-door in the
wall. Monsieur looks in. Downward to the bottom, upward to the top,
of a steep, dark, lofty tower: very dismal, very dark, very cold. The
Executioner of the Inquisition, says Goblin, edging in her head to look
down also, flung those who were past all further torturing down here.
“But look! does Monsieur see the black stains on the wall?” A glance,
over his shoulder, at Goblin’s keen eye, shows Monsieur--and would
without the aid of the directing key--where they are. “What are they?”
“Blood!”
In October, 1791, when the Revolution was at its height here, sixty
persons: men and women (“and priests,” says Goblin, “priests”): were
murdered, and hurled the dying and the dead, into this dreadful pit,
where a quantity of quicklime was tumbled down upon their bodies. Those
ghastly tokens of the massacre were soon no more; but while one stone
of the strong building in which the deed was done remains upon another,
there they will lie in the memories of men, as plain to see as the
splashing of their blood upon the wall is now.
Public-domain text, read in full here on John Shaqi.
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