Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
Crossing these first courts, we have upon the right impenetrable
gardens, where you see rising above the clumps of cypress old kiosks
with closed windows,--the residences of imperial widows and aged
princesses who wish to end their days here in this austere retreat in
one of the most wonderful sites in the world.
It is all bathed in sunlight, all dazzling in tranquil light, the
last portion of this walled-in spot to which we have now come,--the
very last point of the Old Seraglio, and of Europe. It is a solitary
esplanade, very elevated and very white, dominating the distant blue of
the sea and of Asia. The clear morning sunlight inundates those depths
of space out yonder, where the towns, the islets and the mountains are
sketched out in light tints above the motionless sheet of Marmora.
Around us are old buildings also white, which contain all that is
rarest and most precious in Turkey.
First the kiosk, forbidden to infidels, where the cloak of the Prophet
is kept in a cover embroidered with jewels. Then the kiosk of Bagdad,
the interior of which is entirely clothed in those old Persian
faïences; which are priceless to-day: the branches of red flowers were
made upon them with coral that they liquified by a process now lost and
spread upon them like pigment.
Then the Imperial Treasury, very white also under its layers of
whitewash and barred like a prison; and whose iron gates will be opened
for me presently.
And finally, a palace, uninhabited, but well maintained, which we
entered and sat down. Steps of white marble led us to the salons of
the first floor, which were furnished about the middle of the last
century in the European taste. They are of the Louis XV. style, to
which an imperceptible mixture of Oriental singularity gives a special
charm. The white and gold wainscots with old cherry or old lilac damask
with white flowers show nothing but light tints mellowed by time.
There are some large Sèvres and Chinese vases, and few other objects,
but all of them are old and rare. Much space, air, and light, and a
tranquil symmetry in the arrangement of everything--give a feeling of
changelessness and neglect.
Public-domain text, read in full here on John Shaqi.
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