Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
And there in a sort of sumptuous solitude, seated on these
_fauteuils_ of a deliciously pale rose, before large open
windows, we have from this last promontory of Europe, the splendid
view that charmed the Sultans of the past. To our left, and very far
below us, the Bosphorus spreads, furrowed with ships and caïques; the
whiteness of the marble quays are reflected in it; the whiteness of
the new imperial residences, Dolma Bagtche and Tcheragan, are mirrored
inverted in long, pale lines; the row of palace and mosques is pictured
magnificently upon its banks. Opposite is Asia, still bluish in the
remaining drifts of the morning mist; it is Scutari, with its domes and
minarets, with its immense cemetery and its forest of dark cypresses.
To the right, the infinite expanse of Marmora;--distant steamboats
are moving upon it, lost in all that diaphanous blue,--little grey
silhouettes trailing delicate clouds of smoke.
How well it was chosen, this site, to dominate and watch from above
that Turkey, seated superbly on two divisions of the world! And to-day,
what peace and what melancholy splendour in this complete isolation
from all the agitations of modern life, in this great silence of
abandonment, under this clear and mournful sun!
When the guardian of the Treasury--an old man with a white beard--is
ready to open the iron door with his enormous keys, twenty individuals
come to form a hedge, ten to the right, ten to the left, on each side
of the entrance.
We pass between this double row and enter the rather dark halls, into
which they all follow us.
The cavern of Ali Baba could never have been filled with such wealth!
For eight centuries they have been heaping up here the rarest jewels
and the most astonishing marvels of art. As our eyes become rested from
the outside sunlight, and get accustomed to the shadowy interior, the
diamonds begin to sparkle everywhere. Things in profusion, without age
or price, classified by species upon shelves. Arms of all periods, from
Genghis Khan to Mahomet; weapons of silver and gold set with jewels.
Then there are collections of golden coffers of all sizes and of all
styles; some are covered with rubies, others with diamonds and others
with sapphires; some of them are even cut out of a single emerald
as big as an ostrich’s egg. Then there are services for coffee, for
drinking, and ewers of antique and exquisite forms. And the stuffs fit
for fays; the saddles; the harness, the housings of parade in brocades
of gold and silver, embroidered and encrusted with flowers in precious
stones; the large thrones made to sit upon cross-legged: all these in
ruby and fine pearl together produce a rosy brilliancy; elsewhere,
others covered with emeralds and brilliant in their green reflections,
look as if bathed in sea-water.
Public-domain text, read in full here on John Shaqi.
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