Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
All the altars and all the different confessionals are so mingled here
that it results in a continual displacing of priests and processions;
they cleave through the crowds, carrying remonstrances and preceded
by armed Janizaries who knock upon the resonant flag-stones with the
hilts of their halberds. Make room! here are some Latins who pass in
golden chasubles. Make room again! here is the Syrian bishop with a
long white beard under a black _cagoule_, who issues from his
little subterranean chapel. Then here are some Greeks still Byzantine
in adornment, and Abyssinians with black faces. Quickly, quickly they
walk by in their sumptuous vestments whilst before them the silver
censers swung by children knock against the crowd which is thrown
into confusion and separates. In this human sea there is a continuous
rumbling and an incessant noise of psalmody and sacred bells. Almost
everywhere it is so dark that in order to walk about, it is necessary
to have a candle in your hand, and, beneath the high columns and in the
dark corridors thousands of little flames follow or cross each other.
Men praying in a loud voice, weeping and sobbing, run from one chapel
to another, here to kiss the rock where the Cross was planted, there
to prostrate themselves where Mary and Magdalen wept; some priests,
crouching in the shadows, beckon to you to lead you through the
funereal little doors in the holes of the tombs; old women with wild
eyes and tears running down their cheeks come up from the subterranean
blackness to kiss the stones of the sepulchres.
In black darkness, you descend to the chapel of Saint-Helena, by a wide
stairway of about thirty steps, worn, broken, dangerous as falling into
ruin and bordered with squatting spectres. In passing, our candles
illumined the vague motionless creatures, of the same colour as the
side of the rock, who are afflicted beggars, lunatics covered with
ulcers, sinister all of them, with their chins in their hands and long
hair falling over their faces.--Among these ghastly creatures, there is
a blind young man, with magnificent blonde curls enveloping him like a
mantle, who is as beautiful as the Christ whom he resembles.
Down below, the chapel of Saint-Helena, after that night, with its
two rows of phantoms that you have passed through, is illumined by
daylight, whose rays arrive pale and bluish through the loop-holes
of the vault. Assuredly this is one of the strangest places in all
that medley that calls itself the Holy Sepulchre; it is there that
one experiences in the most distressing manner, the sentiment of the
terrible Past.
It is silent when I arrive and it is empty, beneath the half dead gaze
of those phantoms that guard the stairway at the entrance; you hear
with difficulty the indistinct noise of bells and chants from above.
Behind the altar, still another stairway, bordered with the same
long-haired individuals, descends lower into a still darker night.
Public-domain text, read in full here on John Shaqi.
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