Historic buildings : $b as seen and described by great writers — John Shaqi
Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
The Secretary, almost with tears in his eyes, beseeched me to revere
these consecrated edifices, and to preserve their remains, for the
sake of St. Hugo, their canonized prior. I replied greatly to his
satisfaction, and then declaimed so much in favour of St. Bruno and the
holy prior of Witham, that the good fathers grew exceedingly delighted
with the conversation, and made me promise to remain some days with
them. I readily complied with their request, and, continuing in the
same strain, that had so agreeably affected their ears, was soon
presented with the works of St. Bruno, whom I so zealously admired.
After we had sat extolling them, and talking upon much the same sort
of subjects for about an hour, the Coadjutor proposed a walk amongst
the cloisters and galleries, as the weather would not admit of any
longer excursion. He leading the way, we ascended a flight of steps,
which brought us to a gallery, on each side of which a vast number of
pictures, representing the dependent convents were ranged; for I was
now in the capital of the order, where the general resides, and from
whence he issues forth his commands to his numerous subjects, who
depute the superiors of their respective convents whether situated
in the wilds of Calabria, the forests of Poland, or in the remotest
districts of Portugal and Spain, to assist at the grand chapter, held
annually under him, a week or two after Easter.
Having amused myself for some time with the pictures, and the
descriptions the Coadjutor gave me of them, we quitted the gallery and
entered a kind of chapel, in which were two altars with lamps burning
before them, on each side of a lofty portal. This opened into a grand
coved hall, adorned with historical paintings of St. Bruno’s life, and
the portraits of the generals of the order since the year of the great
founder’s death (1085) to the present time. Under these portraits are
the stalls for the superiors who assist at the grand convocation. In
front, appears the general’s throne; above, hangs a representation of
the canonized Bruno, crowned with stars.
The Coadjutor seemed charmed with the respect with which I looked
round on these holy objects; and if the hour of vespers had not been
drawing near, we should have spent more time in the contemplation
of Bruno’s miracles, portrayed on the lower panels of the hall. We
left that room to enter a winding passage (lighted by windows in the
roof) that brought us to a cloister six hundred feet in length, from
which branched off two others, joining a fourth of the same most
extraordinary dimensions. Vast ranges of slender pillars extend round
the different courts of the edifice, many of which are thrown into
gardens belonging to particular cells. We continued straying from
cloister to cloister, and wandering along the winding passages and
intricate galleries of this immense edifice, whilst the Coadjutor was
assisting at vespers.
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