Historic buildings : $b as seen and described by great writers — John Shaqi
Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
G. W. STEEVENS
Delhi is the most historic city in all historic India.
It may not be the oldest--who shall say which is the oldest among
rivals all coeval with time?--though it puts in a claim for a
respectable middle-age, dating from 1000 B.C. or so. It
has at least one authentic monument which is certainly fourteen or
fifteen hundred years old. At that time Delhi’s master called himself
Emperor of the World, and emperors, at least of India, have ruled
there almost ever since. Mohammed, an Afghan of Ghor, took it in 1193;
Tamerlane, the Mogul, sacked it two hundred years later; Nadir Shah,
the Persian, in 1739; Ahmed Shah Durani, another Afghan, in 1756; the
Marathas took it three years later. Half a century on, in 1803, General
Lake took the capital of India for Britain. And British it has been
ever since--except for those few months in 1857, when Mutiny brought
the ghost of the Mogul empire into the semblance of life again; till
Nicholson stormed the breach in the Kashmir Bastion, and dyed Delhi
British for ever with his blood.
Look from the Ridge, whence the columns marched out to that last
capture: the battered trophy of so many conquerors remains wonderfully
fresh and fair. It seems more like a wood than a city. The rolls of
green are only spangled with white, as if it were a suburb of villas
standing in orchards. Only the snowy domes and tall minarets, the
cupolas and gilded pinnacles, betray the still great and populous city
that nestles below you and takes breath after her thousand troubles.
Let us go back to the city. Here at least is the Jumma Musjid, the
great mosque, saved complete out of the storms--a baby of little more
than two hundred years, to be sure, but still something. It is said to
be the largest mosque in the world--a vast stretch of red sandstone
and white marble and gold upstanding from a platform reached on three
sides by flights of steps so tall, so majestically wide, that they are
like a stone mountain tamed into order and proportion at an emperor’s
will. Above the brass-mounted doors rise red portals so huge that they
almost dwarf the whole--red galleries above them, white marble domes
above them, white marble minarets rising higher yet, with pillars
and cupolas and gilded pinnacles above all. Beside the gateways the
walls of the quadrangle seem to creep along the ground; then, at the
corners, rise towers with more open chambers, more cupolas and gilded
pinnacles. Within, above the cloistered quadrangle, bulge three pure
white domes--not hemispheres, like Western domes, but complete globes,
only sliced away at the base and tapering to a spike at the top--and a
slender minaret flanks each side.
Public-domain text, read in full here on John Shaqi.
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