Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
When Petrarch first gratified his eyes with a view of those
monuments, whose scattered fragments so far surpass the most eloquent
descriptions, he was astonished at the supine indifference of the
Romans themselves; he was humbled rather than elated by the discovery,
that, except his friend Rienzi and one of the Colonna, a stranger of
the Rhone was more conversant with these antiquities than the nobles
and natives of the metropolis.
THE COLISEUM
CHARLES DICKENS
When we came out of the church again (we stood nearly an hour staring
up into the dome: and would not have “gone over” the Cathedral then for
any money), we said to the coachman, “Go to the Coliseum.” In a quarter
of an hour or so, he stopped at the gate, and we went in.
It is no fiction but plain, sober, honest Truth, to say: so suggestive
and distinct is it at this hour: that, for a moment--actually in
passing in--they who will, may have the whole great pile before them,
as it used to be, with thousands of eager faces staring down into the
arena, and such a whirl of strife, and blood, and dust, going on there,
as no language can describe. Its solitude, its awful beauty, and its
utter desolation, strike upon the stranger, the next moment, like a
softened sorrow; and never in his life, perhaps, will he be so moved
and overcome by any sight, not immediately connected with his own
affections and afflictions.
To see it crumbling there, an inch a year; its walls and arches
overgrown with green; its corridors open to the day; the long grass
growing in its porches; young trees of yesterday, springing up on
its ragged parapets, and bearing fruit: chance produce of the seeds
dropped there by the birds, who build their nests within its chinks
and crannies; to see the Pit of Fight filled up with earth, and the
peaceful Cross planted in the centre; to climb into its upper halls,
and look down on ruin, ruin, ruin, all about it; the triumphal arches
of Constantine, Septimus Severus, and Titus; the Roman Forum; the
Palace of the Cæsars; the temples of the old religion, fallen down
and gone; is to see the ghost of old Rome, wicked, wonderful old
city, haunting the very ground on which its people trod. It is the
most impressive, the most stately, the most solemn, grand, majestic,
mournful sight, conceivable. Never, in its bloodiest prime, can the
sight of the gigantic Coliseum, full and running over with the lustiest
life, have moved one heart, as it must move all who look upon it now, a
ruin--God be thanked: a ruin!
Public-domain text, read in full here on John Shaqi.
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