Historic buildings : $b as seen and described by great writers
History
Historic buildings : $b as seen and described by great writers
Architecture -- History; Art -- Study and teaching; Historic buildings
Now, first of all and very briefly, here is the history of this abbey.
Upon the ruins of an oratory constructed in this very place by the
indefatigable Saint Victrice about 535, Clotaire erected a large
church dedicated to Saint Peter and Saint Paul. In the last years of
the Seventh Century, Saint Ouen restored it and wished it to be his
sepulchre. According to the _Life_ of that great bishop attributed
to Fridegode, a monk of Canterbury, it was a building of noble
appearance, constructed of square stones in the _Gothic style_.
It is useless to discuss these words, quoted on account of their
curiosity, but which might well be accounted for by some alteration in
the text, and, in any case, have but little meaning for us. After the
appearance of the Northmen, the abbey experienced varied fortunes: it
was sacked and demolished in 841, repaired in 1046 by the Abbé Nicholas
of Normandy, son of Duke Richard III., and it was burned to the ground
several times. A fragment of Nicholas’s apsis at the end of the nave
is preserved under the name of _Chambre aux clercs_: a portion of
the hemicycle arched cul-de-four is ornamented very coarsely, but it is
strongly built.
But to resume: there was no glory for the monks of Saint Benoît here
until the beginning of the Fourteenth Century and the advent of the
Abbé Jean Roussel. This Jean Roussel, born in Quincampoix, near Rouen,
and known, nobody knows why, by the nick-name of Marc d’ Argent, was
a very original personage. Active, discreet, prudent, energetic,
and devoted to everything under his charge, he re-established the
monastic discipline and by the wisdom of his administration doubled the
revenues; and, as Suger did before him at Saint Denis, he resolved to
rebuild his abbey according to the latest developments in architecture.
We do not know who was his master in this work; but certainly it must
have been some clever man who had carefully studied Amiens, Beauvais,
Troyes and Séez. Within a few years, the work was sufficiently advanced
for his conception to have become definitive. His successors had
nothing more to do than to follow out his ideas. Materials were not
stinted. The quarries of Chaumont, Vernon and Saint-Leu furnished their
magnificent calcareous stone, of fine grain mixed with silex. As the
Abbé was never at a loss for funds, it was popularly imagined that he
coined gold, and many a legend exists upon this subject. The truth
is, he knew how to economize with large sums, obtained from the King
important rights regarding the cutting of wood in the forest Verte and
created disinterested good-will around him. In the year 1318, the first
stone was laid, and in the year 1339, when he died, more than 79,936
livres (2,600,000 francs of our money) were paid to the stone-cutters.
The inscription placed on his tomb, destroyed in 1562 by the
Calvinists, described the state in which he left the church, the choir
and the eleven transept chapels comprising the large terminal chapel
Public-domain text, read in full here on John Shaqi.
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