Historic doorways of Old SalemNorthend, Mary Harrod
History
Historic doorways of Old Salem
Northend, Mary Harrod
Architecture -- Massachusetts -- Salem; Architecture, Colonial; Doorways; Salem (Mass.) -- Buildings, structures, etc.
The so-called ‘Dutch door’ often appears in Old Salem houses. Made in
two sections, so that the upper half might be opened for light and
ventilation, while the lower remained closed for protection against
vagrant children or animals, it afforded special advantages of
convenience, and was frequently accompanied by attractive architectural
embellishments. An old example of this type of door is to be found in
the Narbonne house at 71 Essex Street, Salem, built about the middle of
the seventeenth century, this door being in four sections instead of
two. Sometimes a blind, made to cover the upper opening as a protection
against insects or to keep out the glare of the sun, and hinged at the
top so that it might be fastened up out of the way, accompanied these
Dutch doors.
The typical Salem door, however, was in one piece, set in a frame and
ornamented with panels. These panels were usually six in number, two
near the top, nearly square in shape, the others arranged in pairs at
the center and lower part of the door, these four being of practically
the same size, narrow rectangles set vertically. Doors with less than
six panels are seldom though occasionally found. A few are in existence
having as many as eight panels, a notable example being that in the
front entrance of the Pierce-Johonnot-Nichols house at 80 Federal
Street. Panels are of various types, sunken and beveled or moulded and
raised, with or without beading.
In some doorways of unusual width, the door was made with double
leaves--and now and then with three leaves, two only of which were
ordinarily in use, the third being opened upon special occasions. An
example of this latter is seen in the Pickman-Shreve-Little house at 27
Chestnut Street, built in 1816.
In color, Salem doors were usually painted white. Only rarely is
one found which is stained instead of painted. With the increasing
elaborateness of doorways and porches, in which so much pure white was
necessarily used, doors were often for the sake of contrast painted
dark green--an effective background for the brightly polished brass
knocker and latch. Very rarely was the entrance-door of mahogany. A
notable example is on the Andrew-Safford house, 13 Washington Square,
built in 1818 by John Andrew, uncle of War Governor John A. Andrew.
This beautiful six-panel door had been discarded, and lay forgotten
for a hundred years amongst the lumber of the cellar, where it was
discovered by accident. Rescued and restored, it now fittingly adorns
the entrance of this fine old brick mansion--at the time when it was
built probably the most expensive private residence in New England.
Public-domain text, read in full here on John Shaqi.
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