Historic Girlhoods, Part OneHolland, Rupert Sargent
History
Historic Girlhoods, Part One
Holland, Rupert Sargent
Women -- Biography -- Juvenile literature
Vittoria stayed at Ischia, and to ease her grief for her loved husband
wrote many sonnets dealing with their life together. Her poems were
considered very beautiful and her fame grew until she was accounted
among the greatest of Italian writers. After a time she traveled and
everywhere she was received with the highest honors as a poetess. At
last she settled in Rome, and there her house was the centre of
learning in the city. All men of talent claimed to be her friends, and
the letters of the day were filled with accounts of her genius, her
holiness, and her beauty. Chief among her friends was the great painter
Michael Angelo, and the friendship of each was a continual inspiration
to the genius of the other.
So it was that this girl who saved her betrothed husband from his
enemies that day at Ischia became in time one of the noblest figures in
Italian life, one of the finest flowers of what we call the Renaissance
in Europe.
IV
Catherine de' Medici
The Girl of Mediæval Italy: 1519-1589
A stone bench with arms carved to represent crouching lions stood under
an ilex tree in a corner of the Medici gardens in Florence. There, on a
certain autumn afternoon, sat two girls, talking languidly, for the day
was hot. Both were dark, but one looked much like a hundred other girls
to be met in the streets of Florence, the other was striking. Her long,
oval face was very pale, and seemed the more colorless in contrast with
the black hair which she wore low on her forehead and over the tips of
her ears. Her lips were thin and straight, and her eyelids made her
eyes look long and narrow, almost like two slits from which gleamed a
singularly bright or a dull light, depending on whether she were
interested or indifferent. Delicate black brows were penciled above
those eyes. She was handsome, but one might also judge that she was
crafty.
Just now she was admiring the glitter of a ruby in a ring upon her
hand. "How much it looks like a drop of blood," she was saying. "Hast
thou ever seen one of those rings, Bianca, with a little hidden place
to carry poison? My uncle Filippo has one. The Duke's goldsmith made it
for him."
"I hate all such things," said Bianca. "If I had such a ring I'd throw
it into the Arno."
"Nevertheless they are useful sometimes. My uncle and the Duke are
playing at being friends now, but thou knowest that to-morrow they
might well be at each other's throats." She smoothed a fold of the
green gown on her knee. "I like my uncle, but the Duke----" she
shrugged her shoulders. "I trust him no more than I would the rabble of
Florence. He is kind to me now. In good faith I know there is some
reason for it. 'Tis not love of me or because I am a girl of his house
of the Medici."
"Softly," warned Bianca. "Here is he now coming through the garden."
Public-domain text, read in full here on John Shaqi.
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