To be “the most picturesque figure in the history of Holland,” as she has been called, is distinction indeed; but higher still must surely be that gentleness of character and nobility of soul that, in these days of ours, may be acquired by every girl and boy who reads this romantic story of the Countess Jacqueline, the fair young Lady of Holland. CATARINA OF VENICE: THE GIRL OF THE GRAND CANAL. (Afterward known as Queen of Cyprus and “Daughter of the Republic.”) A.D. 1466. “Who is he? Why do you not know, Catarina mia? ‘T is his Most Puissant Excellency, the mighty Lord of Lusignan, the runaway Heir of Jerusalem, the beggar Prince of Cyprus, with more titles to his name--ho ho, ho!--than he hath jackets to his back; and with more dodging than ducats, so ‘t is said, when the time to pay for his lodging draweth nigh. Holo, Messer Principino! Give you good-day, Lord of Lusignan! Ho, below there here is tribute for you.” And down upon the head of a certain sad-faced, seedy-looking young fellow in the piazza, or square, beneath, descended a rattling shower of bonbons, thrown by the hand of the speaker, a brown-faced Venetian lad of sixteen. But little Catarina Cornaro, just freed from the imprisonment of her convent-school at Padua, felt her heart go out in pity towards this homeless young prince, who just now seemed to be the butt for all the riot and teasing of the boys of the Great Republic. “Nay, nay, my Giorgio,” she said to her brother; “‘t is neither fair nor wise so to beset one in dire distress. The good sisters of our school have often told us that ‘t is better to be a beggar than a dullard; and sure yon prince, as you do say he is, looketh to be no dolt. But ah, see there!” she cried, leaning far over the gayly draped balcony; “see, he can well use his fists, can he not! Nay, though, ‘t is a shame so to beset him, say I. Why should our lads so misuse a stranger and a prince?” It was the Feast Day of St. Mark, one of the jolliest of the old-time holidays of Venice, that wonderful City of the Sea, whose patron and guardian St. Mark, the apostle, was supposed to be. Gondolas, rich with draperies of every hue that completely concealed their frames of sombre black, shot in and out, and up and down all the water-streets of the beautiful city; while towering palace and humbler dwelling alike were gay with gorgeous hangings and fluttering streamers. In noticeable contrast with all the brilliant costumes and laughing faces around him was the lad who just now seemed in so dire a strait. He had paused to watch one of the passing pageants from the steps of the Palazzo Cornaro, quite near the spot where, a century later, the famous bridge known as the Rialto spanned the Street of the Nobles, or Grand Canal--one of the most notable spots in the history of Venice the Wonderful.