“Excellency,” he said, “Cyprus hath made her choice. We present to you,
if so it shall please your grace, our future queen, this fair young
maid, Catarina, the daughter of the noble Marco Cornaro, merchant and
senator of the Republic.”
What the seventy-one disappointed young ladies thought of the King’s
choice, or what they said about it when they were safely at home once
more, history does not record. But history does record the splendors
and display of the ceremonial with which the gray-haired old doge,
Cristofero Moro, in the great hall of the palace, surrounded by the
senators of the Republic and all the rank and power of the State of
Venice, formally adopted Catarina as a “daughter of the Republic.” Thus
to the dignity of her father’s house was added the majesty of the
great Republic. Her marriage portion was placed at one hundred thousand
ducats, and Cyprus was granted, on behalf of this “daughter of the
Republic,” the alliance and protection of Venice.
The ambassador of Cyprus standing before the altar of St. Mark’s as
the personal representative of his master, King Giacomo was married “by
proxy” to the young Venetian girl; while the doge, representing her new
father, the republic, gave her away in marriage, and Catarina Cornaro,
amid the blessings of the priests, the shouts of the people, and the
demonstrations of clashing music and waving banners, was solemnly
proclaimed Queen of Cyprus, of Jerusalem, and of Armenia.
But the gorgeous display, before which even the fabled wonders of the
“Arabian Nights” were but poor affairs, did not conclude here. Following
the splendors of the marriage ceremony and the wedding-feast, came the
pageant of departure. The Grand Canal was ablaze with gorgeous colors
and decorations. The broad water-steps of the Piazza of St. Mark was
soft with carpets of tapestry, and at the foot of the stairs floated
the most beautiful boat in the world, the Bucentaur or state gondola,
of Venice. Its high, carved prow and framework were one mass of golden
decorations. White statues of the saints, carved heads of the lion of
St. Mark, the doge’s cap, and the emblems of the Republic adorned
it throughout. Silken streamers of blue and scarlet floated from its
standards; and its sides were draped in velvet hangings of crimson and
royal purple. The long oars were scarlet and gold, and the rowers were
resplendent in suits of blue and silver. A great velvet-covered
throne stood on the upper deck, and at its right was a chair of state,
glistening with gold.
Public-domain text, read in full here on John Shaqi.
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