Historic Homes of New EnglandNorthend, Mary Harrod
History
Historic Homes of New England
Northend, Mary Harrod
Architecture, Colonial; Historic buildings -- New England
The visitor leaves Clifford's room and makes his way into the open
attic, for he came up two stories by the secret staircase and is now
under the sharply pointed roof and surrounded by trunks, chests, and
bandboxes. This is a good place to understand the structure of the
house. The main building had at first just two gables in front and one
at each end; then a wing was built on in front, covering one of the
gables, which was largely cut away. This wing had three gables, and the
porch, which was built in the angle of the wing and the main house, was
roofed by another gable. An old plan of the house shows a wing built on
to the lean-to in the rear, which was probably roofed by another gable;
so the house in the time of the first two John Turners probably had
eight gables. It seems likely that the third John Turner took off the
porch gable, which must certainly have been very troublesome, as its
position made it a pocket for the ice and snow. If we omit the porch
gable, assuming that it was gone long before the Ingersolls bought the
house, we find that the rest correspond very closely to Hawthorne's
description of them as they are mentioned in different parts of the
novel.
The stump of the cut-off gable is a great object of interest in the
attic, as is also a piece of the old front door, which is studded with
nails after the fashion of the early colonial days.
One flight below the attic is the great chamber, Phoebe's room in
the story. This splendid, great, sunny room has fine panelling, dating
from about 1720, and good examples of early furniture. To give an idea
of how the room looked when first built the guide moves aside the Queen
Anne mirror and opens a small door behind it, cut in the wall of the
room. This reveals one of the great supporting posts, which is roughly
carved in mediaeval manner. This post, with its companion beams and
posts, once stood out in the room, but since the panelling was put in,
that is nearly two hundred years ago, it has been hidden from sight.
This silent witness indicates the great age of the house, which has
outlived so many styles and fashions. Another flight below is the parlor
or "grand reception room," as it was called.
Public-domain text, read in full here on John Shaqi.
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