Historic Homes of New EnglandNorthend, Mary Harrod
History
Historic Homes of New England
Northend, Mary Harrod
Architecture, Colonial; Historic buildings -- New England
Originally Lee was a Loyalist, but he later became a patriot and was
foremost in all the movements that kindled the spirit of independence in
the colonists. Before the struggle had fairly commenced, his career was
cut short by an early death; otherwise he would have been as well known
to posterity as was his intimate friend and fellow-townsman, Elbridge
Gerry. As a member of the Province Committee of Safety and Supplies,
which held a meeting on April 18, 1775, at Weatherby's Black Horse
Tavern, situated on the highway between Concord and Lexington, he was
among the number who decided to spend the night at the tavern rather
than to go on to Lexington. The advance guard of the British troops was
sighted in the early morning, and the colonel and his friends hastily
dressed and escaped by a rear door, the colonel thereby contracting a
cold from which he died.
During Lee's life in Marblehead he entertained royally in this mansion,
which was erected at a cost of ten thousand pounds. Within a few steps
of this mansion there was also a cooking-house, the same building being
used to shelter the carriages of the family. Originally the large brick
building now used for the store was made his slaves' quarters. Not long
ago was found inside the house a small brass button, bearing the coat of
arms of the Lee family, which was doubtless once worn on the livery of
one of his slaves.
In the flagging that leads to the side door has lately been uncovered a
central stone bearing the date of the erection of the house.
[Illustration: PLATE XXVI.--Two Views of the Hallway, Lee Mansion.]
As the ponderous front door swings open, one enters a grandly spaced
hall, wainscoted waist high in solid mahogany. At the right is a deeply
recessed window, and a door on either side of the hall leads into rooms
beyond. Above the casing of these entrances runs the classic egg and
tongue molding. The feature of the hallway is the wall-paper. This
represents scenes of Grecian ruins, such as shattered columns,
temples, landscapes, coats of mail, each set in a separate panel,
handsomely carved. It is finished in soft tones of gray, beautifully
blended, doubtless the highest development of early decorative art.
[Illustration: PLATE XXVII.--Wallpapers, Lee Mansion.]
At the rear of the hall, ascends the grand staircase, with boxed stairs
spacious enough for several people to walk abreast. It is quite likely
that the stair rail was made on the other side of the water. The finely
turned balusters of regularly varying style, together with the
exquisitely wrought carvings and delicate panels running along the side
of the staircase, are expressive of the taste and skill which went into
its building. A great, arched window, which floods the hall with light,
is inserted at the landing, and is flanked by several pilasters, which
seem to support the high ceiling encircled with heavily dentated
corners, and heighten the effect of grandeur. From this lofty window the
broad hall is lighted.
Public-domain text, read in full here on John Shaqi.
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