He felt however that it would be impossible for him to resume his
presswork in Strasburg. There was too much prejudice against his
invention there. So he decided to go back to his home town of Mainz,
where many of his family were living. Anna agreed with this decision,
and so they closed their shop, sold their goods, and journeyed to his
brother’s home. There one day his brother introduced him to a rich
goldsmith named Faust, and this man said he understood that Gutenberg
had invented a new way of making books. John admitted this, and told
him some details of his process.
The goldsmith was most enthusiastic, and suggested that he might be
able to help the inventor with money. Gutenberg said he should need
two or three thousand florins. “I will give it to thee,” answered
Faust, “if thou canst convince me that it will pay better than
goldsmithing.”
Then the printer confided all his secrets to Faust, and the latter
considered them with great care. At last he was satisfied, and told
Gutenberg that he would enter into partnership with him. “But where
shall we start the work?” he added. “Secrecy is absolutely necessary.
We must live in the house in which we work.”
“I had thought of the Zum Jungen,” answered Gutenberg, naming an old
house that overlooked the Rhine.
“The very place,” agreed Faust. “It is almost a palace in size, and
will give us ample room; it is in the city, and yet out of its bustle.
It is vacant now, and I will rent it at once. When canst thou move
there?”
“At once,” said Gutenberg, more pleased than he dared show.
So the printer and his good wife moved to the Zum Jungen, which was
more like a castle than a tradesman’s dwelling-house. Its windows
looked over the broad, beautiful river to the wooded shores beyond.
Faust advanced Gutenberg the sum of 2,020 florins, taking a mortgage
on his printing materials as security. Then Faust moved his family and
servants to the old house, and the firm started work. Hanau, the valet
of Gutenberg’s father, and a young scholar named Martin Duttlinger,
joined them at the outset.
Two well-lighted rooms on the second floor, so placed as to be
inaccessible to visitors, were chosen for the workshops. Here the four
worked from early morning until nearly midnight, cutting out new sets
of type and preparing them for the presswork. They began by printing a
new manual of grammar, an “Absies,” or alphabetical table, and the
“Doctrinale.” All three of these it was thought would be of use to all
who could read.
Soon Faust discovered the same defect in the type that the workmen at
Strasburg had discovered. The wooden letters would soften when used,
and soon lose their shape. He spoke to Gutenberg about it, and the
latter studied the problem. At length an idea occurred to him. He
opened a drawer and took out a bit of metal. He cut a letter on the
end of it. “There is the answer,” said he. “We will make our type of
lead. We can cut it, and ink cannot soften it as it does wood.”
Public-domain text, read in full here on John Shaqi.
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