But Palissy cared for nothing but to learn that secret. At first he
had had a workman to help him; now he let him go. He had no money to
pay him, and so gave him all his clothes except those he had on. He
knew his family were starving, and he dared not go out into the
streets for fear of the maledictions of his neighbors. But he fed that
furnace and he melted his different compositions. When he could get no
other fuel he turned to the scant furnishings of his house. He burned
his bed and chairs, his table, and everything that was made of wood.
He felt that he was now on the verge of his discovery; but he must
have more fire. He tore strips of board from the walls, and piled them
in the furnace. Still he needed more heat, and ran out into the yard
behind his dwelling. There were sticks that supported vines, and a
fence that ran between his land and the next. He took the wood of the
fence, the sticks of the vines, and hurried back with them to the
furnace. He threw them on the blaze, he bent over his composition, and
he found the secret answered for him. After sixteen years he learned
how to make that rare enamel.
It was a glorious achievement, and it brought Palissy fame and
fortune. With his new knowledge he had soon fashioned pottery,
decorated with rustic scenes, and exquisitely enameled, that all
lovers of works of art desired at any price. The first pieces of his
rustic pottery soon reached the court of France, and Henry II and his
nobles ordered vases and figures from him to ornament the gardens of
their châteaux. Catherine de’ Medici became his patron, and the
powerful Constable de Montmorenci sent to Saintes for Palissy to
decorate his château at Ecouen. Fragments of this work have been
preserved, exquisite painted tiles, and also painted glass, setting
forth the story of Psyche, which Palissy prepared for the château.
Public-domain text, read in full here on John Shaqi.
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