Historic Oddities and Strange EventsBaring-Gould, S. (Sabine)
History
Historic Oddities and Strange Events
Baring-Gould, S. (Sabine)
History; Mysticism; Patarines
However, something had been done. In August 1848--that is, over a year
after the burial of the Countess--the body was exhumed and submitted to
examination. Two facts were then revealed. The skull of the Countess had
been fractured by some blunt instrument; and she had been strangled. The
condition in which the tongue had been found when the body was first
discovered had pointed to strangulation, the state of the jaws when
exhumed proved it.
So much, then, was made probable. A murderer had entered the room,
struck the Countess on the head, and when that did not kill her, he had
throttled her. Then, apparently, so it was argued, he had burnt the
body, and next, before it was more than half consumed, had placed it
near the secretaire, and, finally, had set fire to the secretaire.
He had set fire to the writing-desk to lead to the supposition that the
Countess had set fire to herself whilst writing at it; and this was the
first conclusion formed.
That a struggle had taken place appeared from several circumstances. The
bell-rope was torn down. Probably no servant had been in the house that
Sunday evening when the bell rang desperately for aid. The seat flung
over seemed to point to her having been surprised at the desk. One shoe
was in the boudoir. The struggle had been continued as she fled from the
sitting-room into the inner apartment.
Now, only, were the fire-marks on the divan and sofa explicable. The
Countess had taken refuge first on one, then on the other, after having
been wounded, and her blood had stained them. The murderer had burnt out
the marks of blood.
She had fled from the sitting-room to the boudoir, and thence had hoped
to escape through the next door into a corner room, but the door of that
room was locked.
The next point to be determined was, where had her body been burnt.
locked | boudoir
room |
o|o
---------+----------
|a|o
-|
anteroom | parlour
In the sitting-room, the boudoir, and a locked corner room were stoves.
The walls of these rooms met, and in the angles were the stoves. They
all communicated with one chimney. They were all heated from an opening
in the anteroom, marked _a_, which closed with an iron door, and was
covered with tapestry. The opening was large enough for a human being to
be thrust through, and the fire-chamber amply large enough also for its
consumption.
Public-domain text, read in full here on John Shaqi.
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