Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
The first indications of the presence of man in Britain was brought to
light in the shape of a flint flake found by the Rev. O. Fisher, in the
presence of Professor W. Boyd Dawkins, in the lower brick earth of the
Stoneham pit at Crayford, in Kent, in the year 1872. In the year 1876 a
second flake was found in a similar situation at Erith, in Kent,
considerably worn by use. This form of implement was used in the late
Pleistocene age, and also in the Neolithic (Newer Stone age) and Bronze
ages. It was employed in the historic ages by the Egyptians, and by the
Romanized Britons of Sussex, in whose tombs it has been found. This
implement is the latest survival of the Palæolithic age. Geologists have
proved that Ireland, England and Europe were united in the Palæolithic
age, and this accounts for the similarity of stone implements and other
remains found in the river-drift deposits, in caves, and other
situations in the river valley over this vast area. The roughly chipped
flint implements are termed Palæolithic, or of the Old Stone age, in
contradistinction to the smoother, finer chipped, or polished implements
of the Neolithic or Newer Stone age.
It seems highly probable that the Asiatic Palæolithic man first swarmed
off the great plateau of Central Asia, which in later times was the home
of all those tribes that invaded Europe, India, and China, and certainly
were of a race that is now as extinct as the prehistoric Mammoth itself.
The relation between the River-drift men of Asia and Europe is doubtful.
We may not be able to refer the Palæolithic Cave-men to any present
branch of the human race, but as regards their artistic abilities, the
only savage people that bear any analogy to them in the present day is
the South African tribe of Bushmen. These people, however, are much
inferior as artists to the early Cave-men, which may be seen by
comparing the work of both (Figs. 7A and 7B).
[Illustration: Fig. 1.—Horse, Upper Cave Earth, Robin Hood Cave.]
[Illustration: Fig. 2.—Ibex Carved on Antler.]
From the drawings of animals which have been found etched and carved on
bone, horn, and stones, we can judge of the high qualifications of the
Cave-men as artists. Their work in animal drawing ranks higher than that
of any historic savage race, and as artists they were infinitely of a
higher order than their more scientific successors, the Neolithic men,
or the men of the Bronze age.
[Illustration: Fig. 3.—Prehistoric Carving.]
[Illustration: Fig. 4.—Esquimaux Carving.]
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