Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 1 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
Nearly all the art of the various peoples and nations of the world was
developed in relation to their religion, and most of it—as elsewhere
stated—originated in symbolic signs that represented, under various
forms, human or otherwise, the original objects or phenomena which they
worshipped. This was the case especially so in Egypt; and this must be
our plea to describe here briefly the principal outlines of the Egyptian
religion.
[Illustration: Fig. 82.—Isis nursing her Son, Horus. (P. & C.) Height,
19 ins.]
The religion of the Egyptians had two developments, one tending towards
Monotheism, and the other to Polytheism. They believed in one god, who
was the king of all gods; and, on the other hand, they had their
mythical gods, who personified whatever was permanent in natural
phenomena, such as the sun, moon, sky, stars, earth, light, darkness,
floods, the seasons, the year, and the hours. The goddess Nut
represented the sky, and was known also under the names of Neith, Isis,
Hathor, Sekhet, &c., which were the names of the sky at sunrise or
sunset (Fig. 82). The sun had names without number, as Rā, Horus, Ptah,
Tmu, Setek, Amen, &c. (Figs. 83, 84). Osiris and Sekru are names of the
sun after he has set, or is “dead and buried” (Fig. 85). Osiris is king
of the dead, and, in mythological language, he is slain by his brother
Set, who personified night, who in his turn is slain by Horus (Fig. 82),
who is the heir of Osiris. Horus signifies the “one above,” and Amen-Rā,
the great king of all the gods, signifies “the one who hides himself.”
The great Amen-Rā was the mightiest god in all the Egyptian pantheon. He
was the great god of Thebes.
The gods were represented in human shape, and also m animal form. The
animals, or animal combinations, were simply symbolical of the gods on
account of certain attributes common to each, or in some cases because
they bore the same name.
The Egyptians were intense believers in a future state, hence the great
care bestowed on their dead, for they believed that the body should be
preserved in order to insure a state of bliss for the soul in the future
world. Every human being had its “double,” or ghost “Ka,” as well as its
ghost “Ba,” which we often find represented under the form of a human
being with a hawk’s head. Sometimes the image of a man was buried with
him. This was to represent his “double,” and is, therefore, called a
“Ka” statue, or image. The “Ba,” or soul, was supposed to be “luminous.”
[Illustration: Fig. 83.—Amen, or Ammon, bronze. (P. & C.)]
[Illustration: Fig. 84.—Ptah, from a bronze Actual Size. (P. & C.)]
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