Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
[Illustration: Fig. 209.—Greek Chair.]
The furniture of the Hebrews was doubtless of the same kind as the
Assyrian. From the description of King Solomon’s throne it was
apparently similar to those of the Assyrian kings. It had lions for the
arm supports, and had six lions in gold and ivory on the six steps on
either side of the throne.
In the manufacture of the furniture of the nations of antiquity the
principal materials were—in woods, ebony, rosewood, walnut, pine, teak,
and, above all, cedar-wood; ivory, gold, silver, bronze, and electrum
were also much used for inlays and for solid mountings.
The furniture and the chariots of the Greeks in their early period were
simply copied from Egyptian and Asiatic sources, with less of the animal
forms and more of plant forms as decorative details (Figs. 209, 210).
Folding stools and chairs were made in wood and in metal, and the backs
of the chairs were upright, or nearly so couches resembling modern
sofas, elaborate footstools, and arm-chairs with sphinxes for the arms
were made by the Greeks (Figs. 210, 212).
[Illustration: Fig. 210.—Greek Folding Stools and Chairs, &c.]
[Illustration: Fig. 211.—Greek Chair.]
In the British Museum are some small models of Greek chairs made in
lead, and wooden boxes showing the dovetail construction.
In the later Greek periods the furniture was inlaid with ivory, ebony,
gold, and silver. Tripods were made of bronze, and had ornamented legs
in the shapes of the limbs of lions, leopards, and sphinxes. The Roman
bronze tripods were very similar to the Grecian ones in design, and were
not only used for sacred purposes in the temples, but also to support
braziers for heating purposes, or for burning perfumes in the houses of
private people (Fig. 213).
[Illustration: Fig. 212.—Greek Couches and Sofa.]
Hand-mirrors and _cistæ_ were made in great quantities in bronze or in
other metal alloys, in silver, and sometimes in gold. The mirrors were
polished on the face, and had often rich designs of figure subjects. The
Greek cistæ were cylindrical metal boxes that rested on feet designed
from those of various animals, having a lid or cover, with a handle or
knot usually of figure design, the whole surface of the body being
covered with engraved figure compositions and ornamental borders. They
were probably used to contain jewellery and trinkets. Some very fine
specimens of these hand-mirrors and cistæ may be seen in the British
Museum.
[Illustration: Fig. 213.—Bronze Tripod, Greco-Roman.]
[Illustration: Fig. 214.—Folding Tripod, Roman.]
The furnishing of the houses of the Romans was very much of the same
character as that of the Greeks and Etruscans, from whom the Romans
inherited all their arts.
[Illustration: Fig. 215.—Roman Bronze Candelabra.]
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