Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
The interior plan and aspects of the Roman houses were such as those of
Pompeii and Herculaneum, described in the first vol. Tables and tripods
of bronze or braziers were supported on three legs, some of which were
made with hinges for folding purposes (Fig. 214), and others were of
sphinx and animal forms of a rich design (Fig. 213). Lamp-stand designs
were quaint and elegant and were made in bronze (Fig. 215). Candelabra
of architectural design were carved in marble and were from six to ten
feet in height (Fig. 217).
[Illustration: Fig. 216.—Roman Tables.]
[Illustration: Fig. 217.—Marble Candelabrum, Roman.]
The Romans highly prized and paid good sums for tables that were made
from the pollard cross grain of different hard woods in which the knots
and grain showed to advantage, the beauty of the wood being brought out
by hand-polishing and by staining it with various coloured dyes.
Bird’s-eye maple and the wood of the _cedrus atlantica_ were much
prized. The smaller tables, _abaci_, rested usually on one
foot—_monopodium_—and larger tables had three or four legs, which had
ivory claws or heads of animals as carved decoration (Fig. 216).
Boxwood, beech, and palm, inlaid with ivory, ebony, and precious metals,
were used in the materials of chairs and couches. The latter were also
made in bronze (Fig. 218), and chairs of state were carved in marble,
one of this kind being in the Louvre, a cast of which is now in the
Kensington Museum (Fig. 219). The form of the Roman _curule_ chair was
like the letter X, and was so called because it could be folded and
carried easily in the _curules_ or chariots. It was used from the
earliest times of the Romans down to modern days in Italy, and was often
constructed of elephants’ tusks, wood, or metal, with ivory feet. The
curule chairs were carried about for outdoor use and for the theatre.
The _sella_ or _bisellium_, to seat two persons, was often a very ornate
kind of seat with turned legs similar to the couches (Fig. 220).
In the houses of the Romans a separate room or wardrobe was fitted up to
keep the dresses and clothes of the family; this room had cupboards with
doors and shelves, drawers, and lockers.
[Illustration: Fig. 218.—Couch in Bronze, Roman.]
Portable coffers and chests were used, in which they packed their
clothes and valuables when carrying them to and from their town and
country houses. The Roman furniture and wooden construction of their
houses were decorated with paintings and carvings of animals’ heads,
limbs, and feet, and with figures of heroes and masks, as well as with
the usual architectural acanthus foliage. Veneering of woods was an art
in which the Romans were skilled; both small and large designs or
pictures in tarsia work were the chief decorations of the best
furniture.
[Illustration: Fig. 219.—Marble Chair, Roman.]
[Illustration: Fig. 220.—Roman Sella or Bisellium.]
BYZANTINE, ROMANESQUE, SARACENIC, AND THE FURNITURE OF THE MIDDLE AGES.
Public-domain text, read in full here on John Shaqi.
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