Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornamentWard, James
History
Historic Ornament, Vol. 2 (of 2): Treatise on decorative art and architectural ornament
Ward, James
Architecture -- History; Decoration and ornament -- History; Decorative arts -- History
The lustred tiles are of an older date than the Persian _fayence fine_
ware, or imitated Chinese porcelain. The body composition of the tiles
resembles that of the old bricks that are found in great quantities in
the ruinous mounds of Rhages (Rhé), where also many fragments of tiles
have been found, and some remains of potters’ kilns, proving that Rhages
must have been the centre of extensive pottery works. Another class of
Persian ware has a thin, hard, and nearly translucent paste, which is
decorated by having pierced holes filled in with transparent glaze. It
is creamy white in colour, and has foliated ornament in blue or brown.
This has been called Gombion Ware.
One variety of decoration on a late seventeenth-century Persian bowl is
shown at Fig. 41. This is a good example of the late floral ornament.
[Illustration: Fig. 41.—Blue Persian Bowl; Seventeenth Century.
(S.K.M.)]
Damascus ware has generally been classified as Persian, but in many
points it is different from the latter. It is better in colour and
design. Some examples have a smooth even glaze, and are coloured with a
fine quality of cobalt blue, turquoise green, and a dull lilac or purple
intermixed with white portions of the design evenly distributed. The
ornament is less florid and the fayence is of an older date than the
majority of Persian examples. The “Damas” cups or vases have always been
highly prized for their beauty, and the wall tiles from Damascus are the
most beautiful of all Oriental tiles.
[Illustration: Fig. 42.—Rhodian Ware.]
Rhodian or Lindus tiles and pottery have been also classified as
Persian, but again this ware is quite distinct from Persian or Damascus
wares. Rhodian pottery is coarser than the two former varieties, and the
decoration is brighter and more strongly marked. The ornament is of a
very conventional character, and in colour it is characterised by having
a red opaque pigment used in spots and patches, and sometimes in bands,
but always raised or embossed.
The plates shown in Figs. 42 and 43 are examples of Rhodian ware.
[Illustration: Fig. 43.—Rhodian Dish.]
The island of Sicily was conquered by the Saracens in A.D. 827, and
about the thirteenth and fourteenth centuries potteries of glazed wares
had been established by the latter.
Some examples of their work of these periods have decorations of
animals, figures, birds, and also mock Saracenic inscriptions like the
Siculo-Arabian textiles of the same and later periods (Fig. 44).
Anatolian ware is a later variety that is akin to the Persian wares, but
somewhat coarser and of a duller surface. This ware is small in size,
and the colouring is usually gay on light grounds. The tiles from
Anatolia are less inventive in their ornament and rougher in execution
than the Damascus or Rhodian.
[Illustration: Fig. 44.—Vase, Siculo-Arabian Ware; Fourteenth Century.]
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