Paris (France) -- Description and travel; Paris (France) -- History
Deux-Frères we reach the historic Moulin de la Galette. It dates from
the twelfth century and has seen tragic days. Its owners defended it
with frantic courage in 1814, whereupon one of them, taken by the
attacking Cosaques, was roped to the whirling wheel. It was again
assailed in 1871. The property was owned by the same family from the
year 1640, a private property, a farm, a country inn, where dancing
often went on as a mere private pastime till, in 1833, its landlord, an
expert in the art of dancing, decided to turn his talent to pecuniary
account and opened there the famous public dancing-hall. Rue
Caulaincourt, erewhile quaint and rural, has lost of late years almost
all its old-time characteristics. Rue Lamarck has become quite modern in
its aspect. Rue Marcadet was known in the seventeenth century as Rue
des Bœufs--Ox Street. At No. 71 we find a fine seventeenth-century
_hôtel_, now a girls’ school, hôtel Labat, and another good old house,
also a girls’ school, at No. 75; at No. 91 yet another. The modern
structures at No. 101 are on the site of the ancient manor-house of
Clignancourt. The turret at No. 103 is probably the relic of an old
windmill. Rue de la Fontaine du But records the name of a drinking
fountain, demolished some forty years ago, said to have been set up
there by the Romans. Tradition has it the word _but_ was once _buc_, and
referred to the Roman rite of the sacrifice of a buck to Mercury.
According to another legend, “_but_,” i.e. aim, referred to the English
archers who when in France made that spot their practising-ground. Rue
du Ruisseau owes its name to the stream of water which flowed through it
on the demolition of the ancient fountain. The seventeenth-century Rue
de Maistre, bordering the northern cemetery, is the ancient Chemin des
Dames. Rue Eugène-Carrière, opening out of it, was till quite recently
Rue des Grandes Carrières, memorizing the big quarries whence from time
immemorial has been obtained the white stone, so marked a feature of
Paris buildings, and the world-famed plaster of Paris.
[Illustration: MOULIN DE LA GALETTE]
Public-domain text, read in full here on John Shaqi.
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