Paris (France) -- Description and travel; Paris (France) -- History
Rue Perrault runs where in bygone times Rue d’Auxerre, dating from 1005,
and Rue des Fossés St-Germain-l’Auxerrois stretched away to the
Monnaie--the Mint. No. 4, hôtel de Sourdis, rebuilt in the eighteenth
century, was the home in her childhood of Gabrielle d’Estrées. No. 2, is
the entrance to the _presbytère_ St-Germain-l’Auxerrois. Rue de la
Monnaie, a thirteenth-century street known at first by other names,
recalls the existence of the ancient Mint on the site of Rue Boucher
close by. In Rue du Roule, eighteenth century, we see old ironwork
balconies. Rue du Pont-Neuf is modern, on the line of ancient streets of
which all traces have gone. Most of the houses in Rue des Bourdonnais
are ancient: In the walls of No. 31 we see two or three ancient stones
of the famous La Trémouille Mansion once there occupied by the English
under Charles VI. No. 34 dates from 1615. From the door of 39 the
Tête-Noire with its _barbe d’Or_, which gave the house its name, still
looks down. The sixth-century cabaret of l’Enfant-Jesus, the monogram
I.H.S. in wrought iron on its frontage, has been razed. No. 14 is
believed to have been the home of Greuze. The impasse at 37, in olden
times Fosse aux chiens, was a pig-market where in the fourteenth century
heretics were burnt. Rue Bertin-Poirée dates from the early years of the
thirteenth century, recording the name of a worthy citizen of those long
past days. At No. 5 we see a curious old sign “La Tour d’Argent”; out of
this old street we turn into the Rue Jean-Lantier recording the name of
a thirteenth-century Parisian, much of it and the ancient place du
Chevalier-du-Guet which was here, swept away in 1854. Rue des
Lavandières-Ste-Opportune, thirteenth century, reminds us of the
existence of an old church, Ste-Opportune, in the neighbourhood. Rue des
Deux-Boules existed under another name in the twelfth century. And here
in the seventeenth century was l’École du Modèle, nucleus of l’Académie
des Beaux-Arts.
Public-domain text, read in full here on John Shaqi.
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