Paris (France) -- Description and travel; Paris (France) -- History
To my readers I would say peruse what I have written, but use your own
eyes, your own keen observation for learning much more than could be
noted here. Look into every courtyard in the ancient quarters, look
attentively at every dwelling along the old winding streets, and fail
not to look up to their roofs. The roofs are never alike. They are
strikingly picturesque. Old world builders did not work mechanically,
did not raise streets in machine-like style, each structure exactly like
its neighbour, one street barely distinguishable from the street running
parallel or crossing it, according to the habit of to-day. The builders
of _les jours d’antan_ loved their craft; every single house gave scope
for some artistic trait. The roofs offered a fine field for
architectural ingenuity: wonderfully planned windows, chimneys,
balconies, gables are to be seen on the roofs often in most unexpected
corners, in every part of the _Vieux Paris_. Look up!--I cannot urge
this too strongly. And within every old _hôtel_--the French term for
private house or mansion--examine each staircase. In the erection of a
staircase the architect of past ages found grand scope for graceful
lines, and exquisite workmanship. Thus walks even through the dimmest
corners of _la Ville Lumière_ will be for lovers of old-time vestiges a
joy for ever.
This was an iconoclastic age even before the destructiveness of the
awful war just over. Precious architectural and historical relics were
swept away to make room for brand-new buildings. As it has been
impossible during the past months to verify in every instance the
up-to-date accuracy of notes made previously, it is probable that some
old structures referred to in these pages as still standing may no
longer be found on the spot indicated. But whether in such cases their
site be now an empty space, or occupied by newly built walls, it cannot
fail to be interesting as the site where a vanished historic structure
stood erewhile.
JETTA SOPHIA WOLFF.
CONTENTS
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