Nero looked up languidly, and said, in faint tones, "You come too late. Is this your fidelity?" In a moment more he expired. In the words of Tacitus, "The ferocity of his nature was still visible in his countenance. His eyes fixed and glaring, and every feature swelled with warring passions, he looked more stern, more grim, more terrible than ever." Nero was in his thirty-second year. He had reigned nearly fourteen years. Tacitus says of him, "The race of Caesars ended with Nero; he was the last, and perhaps the worst, of that illustrious house." The tidings of his death filled Rome with joy. Men ran wildly about the streets, their heads covered with liberty caps. Acclamations of gladness resounded in the Forum. Icelus, Galba's freedman and agent in Rome, whom Nero had thrown into prison, was released and took control of affairs. He ordered that Nero's body should be burned where he had died, and this was done so quickly and secretly that many would not believe that he was dead. The report got abroad that he had escaped to Asia or Egypt, and from time to time impostors appeared claiming to be Nero. The Parthians were deluded by one of these impostors and offered to defend his cause. Another made trouble in the Greek islands. Nero's profligate companions in Rome, who alone mourned his death, while affecting to believe him still alive raised a tomb to his memory, which for several years they annually dressed with the flowers of spring and summer. But the world at large rejoiced in its delivery from the rule of a monster of iniquity. _THE SPORTS OF THE AMPHITHEATRE._ In no other nation upon the earth and no other period of history has enjoyment taken so cruel and brutal a shape as in the Roman empire. The fierce people of the imperial city seemed to have a native thirst for blood and misery, which no amount of slaughter in the arena, of the sufferings of captives and slaves, or of the torments of persecuted Christians sufficed to assuage. The love of theatrical representations, which has proved so potent and unceasing with other nations, had but a brief period of prevalence in Rome, its milder enjoyment vanishing before the wild excitement of the gladiatorial struggle and the spectacle of rending beasts and slaughtered martyrs. It was not in the theatre, but in the amphitheatre, that the Romans sought their chief enjoyment, and few who wished the favor of the Roman people failed to seek it by the easy though costly means of gladiatorial shows. The amphitheatre differed from the theatre in forming a complete circle or oval instead of a semicircle, with an arena in the centre instead of a stage at the side. It also greatly surpassed the theatre in size, the purpose being to see, not to hear.