Historic Tales: The Romance of Reality. Vol. 11 (of 15), RomanMorris, Charles
History
Historic Tales: The Romance of Reality. Vol. 11 (of 15), Roman
Morris, Charles
Rome -- History
These buildings were at first temporary edifices of wood, but of
enormous size, since one which collapsed at Fidenae, during the reign of
Tiberius, is said to have caused the death of fifty thousand spectators.
The first of stone was built by the command of Augustus. But the great
amphitheatre of Rome, the Flavian, whose mighty ruins we possess in the
Colosseum, was that begun by Vespasian, and finished by Titus ten years
after the destruction of Jerusalem.
This vast building is elliptical in shape and covers about five acres of
ground, being six hundred and twelve feet in its greatest length and
five hundred and fifteen in greatest breadth. It is based on rows of
arches, eighty in number, and rises in four different orders of
architecture to a height of about one hundred and sixty feet. The
outside of this great edifice was encrusted with marble and decorated
with statues. Interiorly its vast slopes presented sixty or eighty rows
of marble seats, covered with cushions, and capable of seating more than
eighty thousand spectators. There were sixty-four doors of entrance and
exit, and the entrances, passages, and stairs were so skilfully
constructed that every person could with ease and safety reach and leave
his place.
Nothing was omitted that could add to the pleasure and convenience of
the spectators. An ample canopy, drawn over their heads, protected them
from the sun and the rain. Fountains refreshed the air with cooling
moisture, and aromatics profusely perfumed the air. In the centre was
the arena or stage, strewn with fine sand, and capable of being changed
to suit varied spectacles. Now it appeared to rise out of the earth,
like the gardens of the Hesperides; now it was made to represent the
rocks and caverns of Thrace. Water was abundantly supplied by concealed
pipes, and the sand-strewn plain might at will be converted into a wide
lake, sustaining armed vessels, and displaying the swimming monsters of
the deep.
In these spectacles the Roman emperors loved to display their wealth. On
various occasions the whole furniture of the amphitheatre was of amber,
silver, or gold, and in one display the nets provided for defence
against wild beasts were of gold wire, the porticos were gilded, and the
belt or circle that divided the several ranks of spectators was studded
with a precious mosaic of beautiful stones. In the dedication of this
mighty edifice five thousand wild beasts were slain in the arena, the
games lasting one hundred days.
The first show of gladiators in Rome was one given by Marcus and Decius
Brutus, on the occasion of the death of their father, 264 B.C. Three
pairs of gladiators fought in this first contest. This gladiatorial
spectacle was continued on funeral occasions, but afterwards lost its
religious character and became a popular amusement, there being schools
for the training of gladiators, whose pupils were recruited from the
captives of Rome, from condemned criminals, and from vigorous men
desirous of fame.
Public-domain text, read in full here on John Shaqi.
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