Jingu now set up weapons before the gate of the king in token of her suzerainty and of the peace which had been sworn. The spoils won from the conquered land consisted of eighty ships well laden with gold and precious goods of every kind the country possessed, while eighty noble Coreans were taken as hostages for the faith of the king. And now, with blare of trumpet and clash of weapons, with shouts of triumph and songs of praise to the gods, the fleet set sail for home. Two months had sufficed for the whole great enterprise. Nine empresses in all have sat upon the throne of Japan, but of these Jingu alone won martial renown and gained a great place in history. The Japanese have always felt proud of this conquest of Corea, the first war in which their armies had gone to a foreign country to fight. They had, to use their common phrase, made "the arms of Japan shine beyond the seas," and the glory of the exploit descended not only on the Amazon queen, but in greater measure upon her son, who was born shortly after her return to Japan. The Japanese have given more honor to this son, still unborn when the conquest was achieved, than to his warlike mother. It was in him, not in his mother, they declare, that the Spirit of War resided, and he is now worshipped in Japan as the God of War. Ojin by name, he became a great warrior, lived to be a hundred and ten years old, and was deified after his death. Through all the centuries since he has been worshipped by the people, and by soldiers in particular. Some of the finest temples in Japan have been erected in his honor, and the land is full of shrines to this Eastern Mars. He is represented with a frightful and scowling countenance, holding in his arms a broad, two-edged sword. In all periods of Japanese art a favorite subject has been the group of the snowy-bearded Takenouchi, the Japanese Methuselah, holding the infant Ojin in his arms, while Jingu, the heroic mother, stands by in martial robes. _THE DECLINE OF THE MIKADOS._ Our journey through Japanese history now takes us over a wide leap, a period of nearly a thousand years, during which no event is on record of sufficient interest to call for special attention. The annals of Japan are in some respects minute, but only at long intervals does a hero of importance rise above the general level of ordinary mortals. We shall, therefore, pass with a rapid tread over this long period, giving only its general historical trend.