Edgar Allan Poe spent many of his boyhood days in Richmond, with
John Allan, a rich merchant of Scotch descent who adopted him. Until
recently, the fine old residence of Mr. Allan was standing on Fifth
Street, and near by was the residence of William Wirt, who loved the
place and thus writes of it:
“I never met with such an assemblage of striking and interesting
objects as here, the town dispersed over hills of various shapes,
the river descending from west to east, and obstructed by a multitude
of small islands, clumps of trees and myriads of rocks--the same
river, at the lower end of the town, bending at right angles to the
south and winding many miles in that direction, its polished surface
caught here and there by the eye, but more frequently covered from
the view by trees, among which white sails exhibit a curious and
interesting spectacle; then again, on the opposite side, Manchester,
built on a hill, which, sloping quickly to the river, opens the whole
town to view, interspersed with flourishing poplars and surrounded
to a great distance by green plains and stately woods,--all these
objects falling at once under the eye constitute by far the most
finely varied and most animated landscape I have ever seen.”
The Valentine Museum, which was given to the city by one of its most
valued citizens, the late Mann S. Valentine, contains archæological
specimens numbering more than one hundred thousand, also an art
collection and a number of original works donated by his brother,
Edward V. Valentine, Virginia’s talented sculptor. A short walk brings
you to the studio of this artist, where, among many beautiful and
interesting figures, the chief interest centres in the model for the
recumbent statue of General Robert E. Lee, the marble of which is in
the annex to the Episcopal Church in Lexington. This statue has won
for Valentine the admiration and love of the people of the South.
[Illustration: RICHMOND IN FLAMES.]
Public-domain text, read in full here on John Shaqi.
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