One of the most pleasant walks in the kingdom. It consists of a tract of meadow ground, twenty-three acres in extent. Its situation, its surroundings, its scenery are extremely beautiful, and constitute it a most attractive and delightful promenade. The bank which skirts the Severn is adorned with a graceful avenue of lime trees, extending 450 yards in length, and forming in the intertwining of their lofty branches a natural arcade. The Quarry, which should be a thing of beauty and a joy for ever to the inhabitants, is resorted to, as a rule, only by a few of the residents, most of whom, from their familiarity with it, do not appreciate its charms, but from the stranger the spectacle of so enjoyable and poetic a spot always elicits expressions of admiration. The beauty that every day lies at our own door is often no beauty at all. The Quarry derives its name from a small quarry of red sandstone, formerly worked in what is now called the Dingle. The trees in the lower walk were planted by Mr. Henry Jenks, Mayor, in 1719. The three walks, graced in a similar manner, serve as approaches from the town. In 1569 the Quarry was leased to three burgesses for ten years at a nominal rent upon their undertaking to bring the water from near Crow Meole to Shrewsbury. They fulfilled the condition by laying down leaden pipes, and the work was completed in 1574, in which year Shrewsbury was first supplied with what is now popularly known as “conduit water.” In that year the conduits at Mardol Head, Market Square, High Street, and Wyle Cop were erected and opened. The Quarry has been used for various purposes. In the reign of James I. it was used “for agisting of cattle, for musters of soldiers, and other laudable exercises and recreations.” It is easy to infer from the brutal and coarse pastimes of the period what the “laudable exercises” were, but in truth, the uncertainty of inference is removed by the positiveness of fact, for in the same reign the Quarry was used for “bull-baitings, stage-plays, &c., by consent of the bailiffs,” who, of course, found in this corrupt and debased taste a source of profit to the borough revenue. The stage plays performed here—in that portion which is in the shape of an amphitheatre and is styled the Dingle—were of the nature of those common in the early age of the English theatre. They belonged to the class of Mysteries—a class of a low, vicious, profane, and often blasphemous character. Amongst others _Julian the Apostate_ was performed here in 1565, and it is said that, notwithstanding its utter grossness, it was “listened to with admiration and devotion.” Two years later, in 1567, there was given a representation of the Passion and Crucifixion of Christ, and the actor who took the principal part was killed by being speared in the heart by mistake. An horrible barbarity was committed in the Dingle in 1647, when, on December 24th, a woman was burned to death for having poisoned her husband.