Historical and descriptive narrative of twenty years' residence in South America (Vol 2 of 3): Containing travels in Arauco, Chile, Peru, and Colombia; with an account of the revolution, its rise, progress, and results — John Shaqi
Historical and descriptive narrative of twenty years' residence in South America (Vol 2 of 3): Containing travels in Arauco, Chile, Peru, and Colombia; with an account of the revolution, its rise, progress, and resultsStevenson, William Bennet, active 1803-1825
History
Historical and descriptive narrative of twenty years' residence in South America (Vol 2 of 3): Containing travels in Arauco, Chile, Peru, and Colombia; with an account of the revolution, its rise, progress, and results
Stevenson, William Bennet, active 1803-1825
Chile -- Description and travel; Ecuador -- Description and travel; Peru -- Description and travel; Peru -- History -- War of Independence, 1820-1829; South America -- History -- Wars of Independence, 1806-1830
A considerable quantity of wool, some of which is of a short staple,
but very fine, is carried to Lima, where it is principally made up into
mattresses: this district sends also large flocks of sheep and some oxen
to the Lima market. Copperas is found in several parts of it, and great
quantities of gypsum, yeso, which is carried to different places on the
coast, and used in whitewashing the houses.
The dress of the inhabitants is similar to the dress of those who reside
on the coast; the poncho is seldom or never dispensed with among the
men, indeed the cold makes it quite necessary. In Caxatambo and
Chiquian, evening parties are very common; no invitation is necessary
except the sound of the guitar, and I have spent many very agreeable
hours in listening to the _cachuas_, and _yarabis_--it is delightful to
hear both their merry tunes, and their doleful songs. To the former they
generally dance, the figure ending with each verse; this dance is
somewhat similar to the Spanish fandango, or boleras; two persons dance
it; and with few variations it consists of tripping backwards and
forwards, then forming a semi-circle, the man dancing towards the right,
whilst his partner dances in the opposite direction; this is repeated
two or three times, and the dance generally concludes with a _sapateo_,
beating time to the music with their feet. The dance is something like a
minuet, but the movements are quicker. If a couple dance a minuet, they
generally receive the noisy applause of the lookers on, and not
unfrequently a handful of money is thrown at the feet of the lady by
some _enamorado_, when the boys and girls immediately run to pick it up;
this creates a bustle, and it is not uncommon for the young lady to be
almost unable to extricate herself from the rabble, even with the
assistance of her partner. The following was the favourite cachua in
Cajatambo, introduced, I believe, by an Andalusian:--
Yo tengo una cachucha, en que camino de noche
Y andando mi cachuchita, parece que ando en coche
Ah cachuchita mia, &c.
Yo tengo una cachucha, que compré a mi padre,
Y él que quiere cachucha, que lo compre a su madre,
Ah cachuchita mia, &c.
The _yarabis_, or _tristes_, as they are sometimes called, are peculiar
to the cierra, and except by a mountaineer, _serrano_, I never heard
them sung on the coast; they are plaintive ditties, and some of the
tunes are peculiarly sweet. The following is a yarabi which I have often
heard:--
Ingrato, cruel, e inhumano
Tus engaños causaron mi desvia,
Tu contento te rias, y yo lloro,
Ah alma mia.
Busca adonde quisieres placeres
Y cobra, sin jamas pagar el amor
El tiempo vendrá, para que llores
Con duro dolor.
La muerte dará fin a mi pesar
Tu vivirás con goso, y con risas,
Pero no, te ha or atormentar
Mi imagen, mis cenisas.
Public-domain text, read in full here on John Shaqi.
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