Macaulay, speaking of the 'History of Latin Christianity' in his Journal, says, 'I was more impressed than ever by the contrast between the substance and the style: the substance is excellent; the style very much otherwise.' Looking at it from a purely literary point of view it had undoubtedly great merits. Milman had an admirable sense of proportion--a rare quality in history. He was invariably lucid, and it is easy to cull from his history many characters excellently drawn, many pages of vivid narrative, or terse and weighty criticism. Still, on the whole his historic style is on a lower level than that of Macaulay, Buckle, and Froude, though it will compare, I think, not unfavourably with that of Hallam and Grote. The points of controversy are usually relegated to his notes, which contain a great mass of curious learning and excellent criticism. The reader who turns to them from works of the German school will be struck by his strong English common-sense and grasp of facts, and his dislike of subtle far-fetched ingenuities of explanation. He has the crowning merit of being always readable, and his strong sane moral sense never left him. He was probably at his best in the later volumes, when he could treat his subject like secular history and was free from the embarrassing theological difficulties of the earlier portion, and he is especially admirable in those chapters which give scope to his wide literary and artistic sympathies. He was an excellent Italian scholar and keenly sensible of the beauties of Italian literature, and his love of the ancient classics never left him. There was something at once characteristic and amusing in the delight which he again and again expressed, after the termination of his History, at being able to return to them after spending so many years in reading bad Latin and Greek. In taste and character he was indeed pre-eminently a man of letters, and as such he ranks in the first line among his contemporaries.