Historical Characters in the Reign of Queen AnneOliphant, Mrs. (Margaret)
History
Historical Characters in the Reign of Queen Anne
Oliphant, Mrs. (Margaret)
Addison, Joseph, 1672-1719; Anne, Queen of Great Britain, 1665-1714; Defoe, Daniel, 1661?-1731; Swift, Jonathan, 1667-1745
Yet her friend was as like to call forth such devotion as ever woman
was. Seldom has there been a more brilliant figure in history than that
of the great duchess, a woman beloved and hated as few have ever been;
holding on one side in absolute devotion to her the greatest hero of the
time, and on the other rousing to the height of adoration the mild and
obtuse nature of her mistress; keeping her place on no ground but that
of her own sense and spirit, amid all intrigues and opposition, for many
of the most remarkable years of English history, and defending herself
with such fire and eloquence when attacked, that her plea is as
interesting and vivid as any controversy of to-day, and it is impossible
to read it without taking a side, with more or less vehemence, in the
exciting quarrel. Such a woman, standing like a beautiful Ishmael with
every man’s hand against her, yet fearing no man, and ready to meet
every assailant, makes a welcome variety amid the historical scenes
which so seldom exhibit anything so living, so imperious, so bold and
free. That she has got little mercy and no
[Illustration: ANNE HYDE, DUCHESS OF YORK.
ENGRAVED BY T. JOHNSON, AFTER THE PAINTING BY SIR PETER LELY, IN
POSSESSION OF EARL SPENCER.]
indulgence, that all chivalrous sentiment has been mute in respect to
her, and an angry ill-temper takes possession of every historian who
names her name, rather adds to the interest than takes from it. Women in
history, strangely enough, seem always to import into the chronicle a
certain heat of personal feeling unusual and undesirable in that region
of calm. Whether it is that the historian is impatient at finding
himself arrested by the troublesome personalities of a woman, and that a
certain resentment of her intrusion colors his appreciation of her, or
that her appearance naturally possesses an individuality which breaks
the line, it is difficult to tell; but the calmest chronicler becomes a
partizan when he treats of Mary and Elizabeth, and no man can name Sarah
of Marlborough without a heat of indignation or scorn, almost
ridiculous, as being so long after date.
To us the unfailing vivacity and spirit of the woman, the dauntless
stand she makes, her determination not to be overcome, make her
appearance always enlivening; and art could not have designed a more
complete contrast than that of the homely figure by her side, with
appealing eyes fixed upon her, a little bewildered, not always quick to
understand--a woman born for other uses, but exposed all her harmless
life to the fierce light that beats upon a throne. For her part, she has
no defense to make, no word to say; let them spend all their jibes upon
her, Anne knows no reply. Her slow understanding and want of perception
give her a certain composure which in a queen answers very well for
dignity; yet there is something whimsically pathetic, pitiful,
incongruous in the fate which has placed her there, which can scarcely
fail to soften the heart of the spectators.
Public-domain text, read in full here on John Shaqi.
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